Prof Tunji Azeez Archives - The Lagos Review

·July 20, 2022·2 min read

NANTAP documents Lagos history through playwriting competition

The Association of Nigerian Theatre Arts Practitioners (NANTAP) has organised “Akete theatre”, a playwriting contest, to documemt Lagos history and...

ODUMODUBLVCK’S The Machine: A Defiant and Unruly Statement – Michael Kolawole

“Protect Sarz At All Costs” and the Importance of being Sarz – Michael Kolawole

On the exceptional “This One Is Personal,” Tiwa Savage cries us a river – Michael Kolawole

When Three Worlds Collide: A Review of Abdulrazak Gurnah’s Theft – Olukorede S. Yishau

“A Blitz In The Haze” Paints A Complex Portrait of Darkness & Light In Northern Nigeria – Sima Essien

Making Learning Fun in ‘Have You Seen Miss Zuri’s Magical Shoes?’ by Oluchi – Akumbu Uche

My Father’s Shadow Review: The More Things Change, The More They Remain The Same – Michael Kolawole

“My Father’s Shadow” Explores the Personal Within Nigeria’s Political Memory – Joseph Jonathan

A dodgy romance and uneven storytelling mar “Devil is a Liar” – Chinonso Nzeakor

LAMDA’s production of James Baldwin’s “The Amen Corner” interrogates Christian charity – Toni Kan

Intriguing Insights into Reincarnation: A review of Cheta Igbokwe’s “Awele” — Nenye Okoye

With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi

Orchestra of Fishermen of the Country: The compelling oeuvre of Chigozie Obioma — Uzor Maxim Uzoatu

The Lasting Legacy of Evelyn Osagie: A tribute to a cultural champion — Terh Agbedeh

The ghastly murder of musician Israel Njemanze in Lagos — Uzor Maxim Uzoatu

Mourning Ngugi wa Thiong’o in Peace; A response to Prof Indagasi — Andrew Maina

Elsie Is Bringing Music Conversations to Our Doorsteps From Lagos to Toronto to the World – Onyema Dike

Adrien Brody’s “Red Chip” revolution beyond the box office

I try to find that sweet spot between substance and form — Michael Afenfia

CCA Lagos, Goethe Institut present “Sea Never Dry” exhibition featuring Femi Odugbemi

Lagos Fringe Festival 2025 beckons creative entrepreneurs

Durban FilmMart reveals future mentors participants for 2nd edition in West & North Africa

Prof Tunji Azeez

NANTAP documents Lagos history through playwriting competition

Deola unveils “Composure” & “Kawosoke,” a dual-pack celebration of love, liberation

My Father’s Shadow Review: The More Things Change, The More They Remain The Same – Michael Kolawole

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