No happy endings in Chukwuebuka Ibeh’s novel, “Blessings” – Sale Tamani

Netflix’s The Strays Leaves you Catatonic – Peju Akande

Tade Ogidan’s “Gold Statue” is long but not a waste of time – Peju Akande

Illegal Woman; when an ‘illegal’ gets a voice to fight-Peju Akande

There’s plenty of drama in “Mama Drama”-Peju Akande

“Black Rose” blossoms from poverty and pain – Peju Akande

“Two Distant Strangers” will make you hold your breath – Peju Akande

Is Dagrin really deserving of his legendary status? – Joy Dennis

Before you watch “Living in Bondage: Breaking Free” on Netflix. Read Toni Kan’s Review

Michael Jackson’s Thriller mounts strong challenge for UK Number 1

Isla Fisher faced year-long casting drought after ‘Wedding Crashers’ success

Final portrait of Vanessa Bell goes on display at Charleston

MOST RECENT STORIES

A Man Is Not A Pillow: A Review Of ‘Husband Is Useless’ – Akumbu Uche

When the Victim is left with Guilt and Shame: A Review of Abubakar Adam Ibrahim’s ‘Damage’ – Olukorede S Yishau

Confronting the Past: A Review of Faraaz Mahomed’s “Mother/Land” – Akumbu Uche

A Review of Magnus Onyibe’s “The Imperative of State Police in Nigeria” – Prof Anthony Kila

Deadly Things We Hide Behind Closed Doors in ‘The House Was Never Quiet’- Olukorede S Yishau

A Review of ‘The Visit And Other Stories’ by Ebele Mọgọ Akumbu Uche

BOOK REVIEW

Deadly Things We Hide Behind Closed Doors in ‘The House Was Never Quiet’- Olukorede S Yishau

A Review of ‘The Visit And Other Stories’ by Ebele Mọgọ Akumbu Uche

Ifowodo Examines a Nation’s Dysfunction In “Why Does God Need A Gun?” – Sima Essien

MUSIC REVIEW

Jeriq returns to his origins in ‘Hoodboy Dreams 2’ – Michael Chiedoziem Chukwudera

Shaitan: Telekinesis and Arodan Review – Michael Kolawole

On “Auracle”, Shallipopi is an Oracle with a cool aura – Michael Kolawole

MOVIE REVIEW

Netflix’s The Polygamist – patriarchy, delusion and the women who deserved better – Peju Akande

“Agesinkole: King of Thieves 2”: A novel distribution model for an uneven cinematic experience – Joseph Jonathan

Mide Martins, ‘Iya’ and the scars from a broken home – Olukorede S. Yishau

ESSAYS

The City That Was Waiting – Mariam Mimi Abdullahi

The Story We Have Not Yet Told: Creativity, Culture and Nigeria’s Next Chapter – Ife Adebayo

Femi Osofisan: The storyteller who refuses to look away – Sola Adeyemi

NEWS

Goethe-Institut postpones reopening of Lagos office over delayed construction

‘Every House Remembers’: Duke Asidere, Gbolahan Ayoola, Francis Agemo, Ato Arinze explore the home as body, object, archive

Ava DuVernay defends AI use in new documentary ‘14th’