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Putting a city’s name in the title of a film is indirectly promising the audience that the city is central to the soul of the story. Aba has an incredibly distinct, commercial and bustling identity. The Aba setting of this film, however, is nominal; there is nothing visually tying this film to the city. It could have been set in any city but Aba.

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Movie Reviews

Putting a city’s name in the title of a film is indirectly promising the audience that the city is central to the soul of the story. Aba has an incredibly distinct, commercial and bustling identity. The Aba setting of this film, however, is nominal; there is nothing visually tying this film to the city. It could have been set in any city but Aba.

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Music Reviews

By the time the album closes with “Wild Goose Chase,” exhaustion has set in for Brymo. Tired of his foolish, hopeless search for love, relevance, and the pursuit of happiness, he pleads that the mirage should be taken from him. Sung in Yoruba and Nigerian Pidgin, "Wild Goose Chase” transitions to become “Arodan”, the title and opening track on the Yoruba segment of Shaitan. Serving as a link, the song neatly ties the albums together, indicating that they are one.
Lyrically, the album resists tidy interpretation. Shallipopi prefers suggestion to clarity, repetition to exposition. Phrases loop until they begin to feel hypnotic, as though meaning might eventually reveal itself through repetition an observation that one might also make about Omah Lay. It may seem like laziness, but it is a strategy. “Laho” is a quintessential example. The repetition of the word “Laho” makes it an ear worm and a global hit.

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