Hollywood is bracing for a new “king or queen of comedy” as Eric Murphy and Jasmin Lawrence have announced they are expecting their first child, per ew.com. The couple, who are the eldest children of comedy...
The 2026 Grammy Awards delivered a night of high fashion, emotional tributes...
Steven Spielberg has become the latest member of the most exclusive club...
Amazon’s lavishly-funded documentary Melania has recorded the strongest opening for a non-fiction...
Her Majesty The Queen has joined an illustrious panel of judges at...
.
Shaitan: Telekinesis and Arodan Review – Michael Kolawole
...Brymo returns with a two-in-one album
.
The weight of a glittery crown – Akumbu Uche
More Than A Crown, Naomie Nishimwe, 2025; Imagine We Publishers, pp 192
This is set to appear on mobile phone devices only
Latest Posts
Hollywood is bracing for a new “king or queen of comedy” as...
The 2026 Grammy Awards delivered a night of high fashion, emotional tributes...
Steven Spielberg has become the latest member of the most exclusive club...
Amazon’s lavishly-funded documentary Melania has recorded the strongest opening for a non-fiction...
Her Majesty The Queen has joined an illustrious panel of judges at...
Chappell Roan turned heads on the 68th Annual Grammy Awards red carpet...
Bad Bunny used his platform to champion the Latino community at the...
South African sensation Tyla has once again claimed the global spotlight, winning...
Lauryn Hill took centre stage at the 68th Annual Grammy Awards on...
Kendrick Lamar has cemented his legacy at the 67th Annual Grammy Awards,...
The Nigeria Prizes competition officially kicked off on Sunday with Call for...
More Than A Crown offers a blend of both. Born in Kigali in 1999, Nishimwe is a member of the ‘Generation After’ — young Rwandans fortunate to not have witnessed the 1994 Rwandan genocide, but nonetheless shaped by its trauma. Her early childhood was marked by separation from her father, whose job as a member of the Rwandan Defence Force entails, ironically, reuniting families separated by the nation’s civil war
Aside from its focus on the persistent pull of depression and suicidal thoughts, the film also shows how younger people battling depression and other mental health challenges seek support through social media like WhatsApp, Telegram, or Facebook to help themselves heal. While occasionally helpful, these groups often devolve into corrosive and illogical spots for peer pressure, where suicidal tendencies are encouraged and reinforced.
A strong thread running through the film is the idea of desperation, not just the kidnappers’, not just the families’, but a national kind of desperation that corrodes values and bends every character toward self-preservation.
Despite all these, My Father’s Shadow is not a dirge. Its fragmented form allows for moments of tenderness and beauty, even humour. These flashes underscore the resilience of ordinary Nigerians, who, despite betrayals by their leaders, continue to love, to sing, to imagine futures for their children.
By the time the album closes with “Wild Goose Chase,” exhaustion has set in for Brymo. Tired of his foolish, hopeless search for love, relevance, and the pursuit of happiness, he pleads that the mirage should be taken from him. Sung in Yoruba and Nigerian Pidgin, "Wild Goose Chase” transitions to become “Arodan”, the title and opening track on the Yoruba segment of Shaitan. Serving as a link, the song neatly ties the albums together, indicating that they are one.
Lyrically, the album resists tidy interpretation. Shallipopi prefers suggestion to clarity, repetition to exposition. Phrases loop until they begin to feel hypnotic, as though meaning might eventually reveal itself through repetition an observation that one might also make about Omah Lay. It may seem like laziness, but it is a strategy. “Laho” is a quintessential example. The repetition of the word “Laho” makes it an ear worm and a global hit.
Love is never one thing. It bends, expands, bruises, heals. In Tems’ new EP, it evolves into a kingdom, a place she builds, guards, and offers only on her own terms. Love Is A Kingdom explores love, power, spirituality, self-awareness,...
More Than A Crown offers a blend of both. Born in Kigali in 1999, Nishimwe is a member of the ‘Generation After’ — young Rwandans fortunate to not have witnessed the 1994 Rwandan genocide, but nonetheless shaped by its trauma. Her early childhood was marked by separation from her father, whose job as a member of the Rwandan Defence Force entails, ironically, reuniting families separated by the nation’s civil war
In telling this important story, Riding the Storm becomes more than a record of events. It is a meditation on leadership under pressure, on Africa’s capacity for self-organisation, and on what it means to act decisively when history accelerates. Kan’s prose allows the reader to feel the anxiety of the early days, the urgency of closed-door negotiations, and the quiet triumph of systems
The money from such engagements was very important to her, her parents and her siblings especially with her as sole provider since their move to the UK. Her teacher father wasn’t licensed to teach in the UK, her mother couldn’t speak English and so couldn’t work. So, it was impossible for her to make a promise that would be tantamount to making a date with hunger and lack. Lara offered to work out a make-up arrangement with her professors.
Send In Your Submissions
To feature on thelagosreview.ng, simply send your writings to submissions@thelagosreview.ng
Hollywood is bracing for a new “king or queen of comedy” as Eric Murphy and Jasmin Lawrence have announced they...
Interviews
Now based between Lagos and Toronto, Elsie is bringing a new kind of African digital storytelling to the world. She’s bilingual in culture, able to code-switch between Afrobeat street trends and Western pop references with ease. This ability to exist in multiple cultural spaces without diluting her message makes her relatable, magnetic, and globally relevant.
Because of this, our environment becomes vital to our progress. As a fifteen-year-old, I knew this intuitively, not as I know it now, not theoretically. I knew that my environment was limited in significant ways. It wasn't one for creativity or imagination. It lay at the tail end of cynicism
