No happy endings in Chukwuebuka Ibeh’s novel, “Blessings” – Sale Tamani

Netflix’s The Strays Leaves you Catatonic – Peju Akande

Tade Ogidan’s “Gold Statue” is long but not a waste of time – Peju Akande

Illegal Woman; when an ‘illegal’ gets a voice to fight-Peju Akande

There’s plenty of drama in “Mama Drama”-Peju Akande

“Black Rose” blossoms from poverty and pain – Peju Akande

“Two Distant Strangers” will make you hold your breath – Peju Akande

Is Dagrin really deserving of his legendary status? – Joy Dennis

Before you watch “Living in Bondage: Breaking Free” on Netflix. Read Toni Kan’s Review

Ooreoluwa Agbede wins 2026 Quramo Writers Prize with ‘Four Months’

Crown Troupe of Africa stages ‘Moremi RSV’ at New Africa Shrine

10 Years of Words: Shasore reflects on decade of QFest & transformative power of stories – Terh Agbedeh

MOST RECENT STORIES

Confronting the Past: A Review of Faraaz Mahomed’s “Mother/Land” – Akumbu Uche

A Review of Magnus Onyibe’s “The Imperative of State Police in Nigeria” – Prof Anthony Kila

Deadly Things We Hide Behind Closed Doors in ‘The House Was Never Quiet’- Olukorede S Yishau

A Review of ‘The Visit And Other Stories’ by Ebele Mọgọ Akumbu Uche

Ifowodo Examines a Nation’s Dysfunction In “Why Does God Need A Gun?” – Sima Essien

In Jazz Negotiations, Echezonachukwu Nduka Scores a Symphony Out of Silence – Sima Essien

BOOK REVIEW

Ifowodo Examines a Nation’s Dysfunction In “Why Does God Need A Gun?” – Sima Essien

In Jazz Negotiations, Echezonachukwu Nduka Scores a Symphony Out of Silence – Sima Essien

Everywhere Burns: On James Ngwu Eze’s Unbind Me Now – Ugochukwu Anadị

MUSIC REVIEW

Jeriq returns to his origins in ‘Hoodboy Dreams 2’ – Michael Chiedoziem Chukwudera

Shaitan: Telekinesis and Arodan Review – Michael Kolawole

On “Auracle”, Shallipopi is an Oracle with a cool aura – Michael Kolawole

MOVIE REVIEW

Netflix’s The Polygamist – patriarchy, delusion and the women who deserved better – Peju Akande

“Agesinkole: King of Thieves 2”: A novel distribution model for an uneven cinematic experience – Joseph Jonathan

Mide Martins, ‘Iya’ and the scars from a broken home – Olukorede S. Yishau

ESSAYS

Our Best Essays and Reviews of 2025

Orchestra of Fishermen of the Country: The compelling oeuvre of Chigozie Obioma — Uzor Maxim Uzoatu

Who will emerge victorious in The Nigeria Prize for Literature 2025? — Terh Agbedeh

NEWS

Yemisi Shyllon Museum of Art hosts 1st TheMuseumsLab residency

‘What Is Given’ exhibition opens at Yemisi Shyllon Museum

Obasanjo to headline QFest 2026 as event explores national reconciliation