Georg Baselitz, the pre-eminent German painter who redefined postwar art through his signature upside-down compositions and raw Neo-Expressionism, has died aged 88, per artnews.com. His death was confirmed on April 30 by the Thaddaeus Ropac gallery....
American singer Britney Spears has been charged with driving under the influence...
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Malawian musician Theresa Phondo has released a new single, “No Gwede, No...
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Shaitan: Telekinesis and Arodan Review – Michael Kolawole
...Brymo returns with a two-in-one album
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Saving a relationship through a divorce – Olukorede S Yishau
A Review of Bolaji Abdullahi's The Loyalist
The Inner Lives of Men: A review of ‘Where Women Meet Boys’ by Patrick Shyaka – Akumbu Uche
Patrick Shyaka, Where Women Meet Boys, Masobe Books, 2025; pp 155
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Georg Baselitz, the pre-eminent German painter who redefined postwar art through his...
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Putting a city’s name in the title of a film is indirectly promising the audience that the city is central to the soul of the story. Aba has an incredibly distinct, commercial and bustling identity. The Aba setting of this film, however, is nominal; there is nothing visually tying this film to the city. It could have been set in any city but Aba.
Nollywoodʼs suffering mother, in its earliest and most honest incarnations, had something of the former. In most of its contemporary iterations and certainly in its most commercially successful one, it has become the latter. The mother suffers, the children unite, the audience weeps, the credits roll, the naira accumulates...
Short film production has been on the rise with producers taking advantage of the availability of streaming platforms like YouTube, a change in cultural viewing habits with more people leaning towards short and on-the-go content as opposed to long-form pieces,...
By the time the album closes with “Wild Goose Chase,” exhaustion has set in for Brymo. Tired of his foolish, hopeless search for love, relevance, and the pursuit of happiness, he pleads that the mirage should be taken from him. Sung in Yoruba and Nigerian Pidgin, "Wild Goose Chase” transitions to become “Arodan”, the title and opening track on the Yoruba segment of Shaitan. Serving as a link, the song neatly ties the albums together, indicating that they are one.
Lyrically, the album resists tidy interpretation. Shallipopi prefers suggestion to clarity, repetition to exposition. Phrases loop until they begin to feel hypnotic, as though meaning might eventually reveal itself through repetition an observation that one might also make about Omah Lay. It may seem like laziness, but it is a strategy. “Laho” is a quintessential example. The repetition of the word “Laho” makes it an ear worm and a global hit.
Love is never one thing. It bends, expands, bruises, heals. In Tems’ new EP, it evolves into a kingdom, a place she builds, guards, and offers only on her own terms. Love Is A Kingdom explores love, power, spirituality, self-awareness,...
On the surface, the book appears to be Abdullahi's story, but in telling his story, it becomes other people’s stories as well. “Nobody’s story has been as intricately connected with mine in the 20 years that this book covers as Senator Bukola Saraki’s… For most of the journey, I walked under his shadow… Therefore, readers will find that, to a large extent, this book is his story as well,” Abdullahi writes. But in a lot of ways, the book is more Saraki’s story than the memoirist claims.
Interestingly, the strongest story in the collection - the titular Where Women Meet Boys - is one of two narratives written from the female perspective and showcases Shyaka’s skill with handling multiple perspectives. At its heart, it is about the domino effects of a man disappointing his family and so, still falls in line with the book’s overarching theme.
eading Heinneken University, one quickly realizes that plot is not quite the novel’s primary engine. Instead, the narrative is sustained by the actions, thoughts, and voices of a wide array of characters who feel strikingly real and far from exaggerated which is a triumph in satire.
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Georg Baselitz, the pre-eminent German painter who redefined postwar art through his signature upside-down compositions and raw Neo-Expressionism, has died...
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