Jideonwo leans into this rule, but then, as if looking to validate his struggles, he constantly makes reference to the experiences of various celebrity guests who have graced his #WithChude talk show. In social interactions, he would be called a name-dropper. In print, these insertions come off as cross-promotion and shortchange the book’s efficacy as a memoir. 

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Jideonwo leans into this rule, but then, as if looking to validate his struggles, he constantly makes reference to the experiences of various celebrity guests who have graced his #WithChude talk show. In social interactions, he would be called a name-dropper. In print, these insertions come off as cross-promotion and shortchange the book’s efficacy as a memoir. 

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Movie Reviews

This section humanises Wizkid by refusing spectacle. Even at this height of his success, the documentary insists, greatness is still labour. Fame does not erase anxiety; it simply magnifies what is at risk. And when he learns that his ailing (now deceased) mother's health has worsened, almost colliding with his struggles to get his set ready, we see the pain behind the fame.
Aside from its focus on the persistent pull of depression and suicidal thoughts, the film also shows how younger people battling depression and other mental health challenges  seek support through social media like WhatsApp, Telegram, or Facebook to help themselves heal. While occasionally helpful, these groups often devolve into corrosive and illogical spots for peer pressure, where suicidal tendencies are encouraged and reinforced.

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Music Reviews

By the time the album closes with “Wild Goose Chase,” exhaustion has set in for Brymo. Tired of his foolish, hopeless search for love, relevance, and the pursuit of happiness, he pleads that the mirage should be taken from him. Sung in Yoruba and Nigerian Pidgin, "Wild Goose Chase” transitions to become “Arodan”, the title and opening track on the Yoruba segment of Shaitan. Serving as a link, the song neatly ties the albums together, indicating that they are one.
Lyrically, the album resists tidy interpretation. Shallipopi prefers suggestion to clarity, repetition to exposition. Phrases loop until they begin to feel hypnotic, as though meaning might eventually reveal itself through repetition an observation that one might also make about Omah Lay. It may seem like laziness, but it is a strategy. “Laho” is a quintessential example. The repetition of the word “Laho” makes it an ear worm and a global hit.

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Book Reviews

Jideonwo leans into this rule, but then, as if looking to validate his struggles, he constantly makes reference to the experiences of various celebrity guests who have graced his #WithChude talk show. In social interactions, he would be called a name-dropper. In print, these insertions come off as cross-promotion and shortchange the book’s efficacy as a memoir. 
Some authors mine their lived experiences for inspiration and indeed, Hollist’s own life has been shaped by migration. Born in Freetown, he spent part of his childhood in London, pursued postgraduate education in Nova Scotia, and is currently resident in Florida, where he is a professor of English at the University of Tampa. He might be a citizen of the world
More Than A Crown offers a blend of both. Born in Kigali in 1999, Nishimwe is a member of the ‘Generation After’ — young Rwandans fortunate to not have witnessed the 1994 Rwandan genocide, but nonetheless shaped by its trauma. Her early childhood was marked by separation from her father, whose job as a member of the Rwandan Defence Force entails, ironically, reuniting families separated by the nation’s civil war

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Now based between Lagos and Toronto, Elsie is bringing a new kind of African digital storytelling to the world. She’s bilingual in culture, able to code-switch between Afrobeat street trends and Western pop references with ease. This ability to exist in multiple cultural spaces without diluting her message makes her relatable, magnetic, and globally relevant.

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