No happy endings in Chukwuebuka Ibeh’s novel, “Blessings” – Sale Tamani

Netflix’s The Strays Leaves you Catatonic – Peju Akande

Tade Ogidan’s “Gold Statue” is long but not a waste of time – Peju Akande

Illegal Woman; when an ‘illegal’ gets a voice to fight-Peju Akande

There’s plenty of drama in “Mama Drama”-Peju Akande

“Black Rose” blossoms from poverty and pain – Peju Akande

“Two Distant Strangers” will make you hold your breath – Peju Akande

Is Dagrin really deserving of his legendary status? – Joy Dennis

Before you watch “Living in Bondage: Breaking Free” on Netflix. Read Toni Kan’s Review

Liam Neeson sparks dating rumours after hand-in-hand appearance at Toronto film festival

Durban FilmMart & MTN One TV launch pitch call for African filmmakers

Israel culture minister seeks citizenship revocation for Venice-winning documentary directors

MOST RECENT STORIES

A Review of ‘The Visit And Other Stories’ by Ebele Mọgọ Akumbu Uche

Ifowodo Examines a Nation’s Dysfunction In “Why Does God Need A Gun?” – Sima Essien

In Jazz Negotiations, Echezonachukwu Nduka Scores a Symphony Out of Silence – Sima Essien

Everywhere Burns: On James Ngwu Eze’s Unbind Me Now – Ugochukwu Anadị

Despair and Hope in Adedayo Agarau’s “The Years of Blood” – Michael Chiedoziem Chukwudera

A Review of ‘Tunde Onakoya, the Chess Champion’ by Lola Shoneyin – Akumbu Uche

BOOK REVIEW

Despair and Hope in Adedayo Agarau’s “The Years of Blood” – Michael Chiedoziem Chukwudera

A Review of ‘Tunde Onakoya, the Chess Champion’ by Lola Shoneyin – Akumbu Uche

Yahoo! Yahoo! – Ikenna Okehʼs Portrait of A Flawed Society – Sima Essien

MUSIC REVIEW

Jeriq returns to his origins in ‘Hoodboy Dreams 2’ – Michael Chiedoziem Chukwudera

Shaitan: Telekinesis and Arodan Review – Michael Kolawole

On “Auracle”, Shallipopi is an Oracle with a cool aura – Michael Kolawole

MOVIE REVIEW

“Agesinkole: King of Thieves 2”: A novel distribution model for an uneven cinematic experience – Joseph Jonathan

Mide Martins, ‘Iya’ and the scars from a broken home – Olukorede S. Yishau

Refusing to be silent in Agatha Doowuese Akaahar’s ‘Black Sands’ – Keyukemi Usani

ESSAYS

Our Best Essays and Reviews of 2025

Orchestra of Fishermen of the Country: The compelling oeuvre of Chigozie Obioma — Uzor Maxim Uzoatu

Who will emerge victorious in The Nigeria Prize for Literature 2025? — Terh Agbedeh

NEWS

DADA gallery Lagos hosts cross-generational Nigerian art exhibition

Applications for Guest Artists Space Foundation’s critical writing workshop close today

Chris Rock reveals the only condition for his return to the Oscars