Call of My Life, written by Uzoamaka Power and directed by Dammy Twitch, is a film that knows this language and has decided, with considerable charm and only occasional uncertainty, to go against it. Power plays Soluchi, a call centre agent whose emotional texture runs at a frequency the city around her has not been calibrated to receive. She's quirky and high spirited. She spins on the pavement on her way to work. She gives herself completely to whatever she sets her heart on, which in the film’s opening act is Kalu (Zubby Michael), a financially comfortable Igbo businessman whose love language is his debit card
In each of these slice-of-life stories, Nyang pays equal attention to her protagonists’ emotional lives and the decisions they make in the light of their social pressures and economic realities. In doing so, she also challenges patriarchal norms, however her critiques are measured. Take for instance, the matter of laabaan, a Wolof marital rite where proof of a bride’s virginity is presented post-consummation. While some like the scholar Marame Gueye frame the practice in sex positive terms, Nyang believes otherwise and uses her protagonist Sainabou, who questions the ceremony’s necessity, as a vehicle to remonstrate it.
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A Woman’s Life: A Review of ‘Still Waters’ by Adam Nyang – Akumbu Uche
...Adam Nyang, Still Waters, LexoGraphix Plus, 2025, 194 pages
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Call of My Life, written by Uzoamaka Power and directed by Dammy Twitch, is a film that knows this language and has decided, with considerable charm and only occasional uncertainty, to go against it. Power plays Soluchi, a call centre agent whose emotional texture runs at a frequency the city around her has not been calibrated to receive. She's quirky and high spirited. She spins on the pavement on her way to work. She gives herself completely to whatever she sets her heart on, which in the film’s opening act is Kalu (Zubby Michael), a financially comfortable Igbo businessman whose love language is his debit card
In each of these slice-of-life stories, Nyang pays equal attention to her protagonists’ emotional lives and the decisions they make in the light of their social pressures and economic realities. In doing so, she also challenges patriarchal norms, however her critiques are measured. Take for instance, the matter of laabaan, a Wolof marital rite where proof of a bride’s virginity is presented post-consummation. While some like the scholar Marame Gueye frame the practice in sex positive terms, Nyang believes otherwise and uses her protagonist Sainabou, who questions the ceremony’s necessity, as a vehicle to remonstrate it.
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Call of My Life, written by Uzoamaka Power and directed by Dammy Twitch, is a film that knows this language and has decided, with considerable charm and only occasional uncertainty, to go against it. Power plays Soluchi, a call centre agent whose emotional texture runs at a frequency the city around her has not been calibrated to receive. She's quirky and high spirited. She spins on the pavement on her way to work. She gives herself completely to whatever she sets her heart on, which in the film’s opening act is Kalu (Zubby Michael), a financially comfortable Igbo businessman whose love language is his debit card
Behind The Scenes is psychological realism and trauma-focused. Instead of planning the mise-en-scence, and regulating characters’ performances to make them convincingly impactful, the directors Funke Akindele and Tunde Olaoye rely on excessive emotions to arouse pity. Their failure in monitoring the incidents resulted in the calamity that befalls Aderonke’s lawyer, Victor (Uzor Arukwe).
Putting a city’s name in the title of a film is indirectly promising the audience that the city is central to the soul of the story. Aba has an incredibly distinct, commercial and bustling identity. The Aba setting of this film, however, is nominal; there is nothing visually tying this film to the city. It could have been set in any city but Aba.
Asake, the Nigerian Afrobeats star unveiled his fourth studio album titled M$NEY on May 1, 2026. A project focused on expanding his legacy as one of the most successful Nigerian artistes in recent times. The concept of M$NEY by Asake...
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By the time the album closes with “Wild Goose Chase,” exhaustion has set in for Brymo. Tired of his foolish, hopeless search for love, relevance, and the pursuit of happiness, he pleads that the mirage should be taken from him. Sung in Yoruba and Nigerian Pidgin, "Wild Goose Chase” transitions to become “Arodan”, the title and opening track on the Yoruba segment of Shaitan. Serving as a link, the song neatly ties the albums together, indicating that they are one.
In each of these slice-of-life stories, Nyang pays equal attention to her protagonists’ emotional lives and the decisions they make in the light of their social pressures and economic realities. In doing so, she also challenges patriarchal norms, however her critiques are measured. Take for instance, the matter of laabaan, a Wolof marital rite where proof of a bride’s virginity is presented post-consummation. While some like the scholar Marame Gueye frame the practice in sex positive terms, Nyang believes otherwise and uses her protagonist Sainabou, who questions the ceremony’s necessity, as a vehicle to remonstrate it.
While a few of the stories either rely too heavily on melodrama for momentum, or race towards tidy, but highly improbable resolutions, the inherent talent of their authors cannot be denied and these missteps can be chalked up to the eagerness of inexperience, after all, this is the first literary outing for many of them.
The motif of silence runs through the novel, shaping its emotional landscape and deepening its tensions. Characters retreat into silence as a shield against pain. In this novel, silence becomes a language of its own. It speaks in pauses, in averted gazes, in unfinished sentences. Relationships are defined as much by what is withheld as by what is expressed, and the gaps in communication often widen into emotional chasms.
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A Woman’s Life: A Review of ‘Still Waters’ by Adam Nyang – Akumbu Uche
...Adam Nyang, Still Waters, LexoGraphix Plus, 2025, 194 pages
