Tade Ipadeola is keen on Makoma Wa Ngugi’s We, the Scarred. He is intrigued about Antjie Krog’s A Change of Tongue. The poet of the Sahara Testaments will be moderating a conversation around these two texts...
Africa International Film Festival (AFRIFF) is set to launch its 13th edition...
Evelle has marked her triumphant return to the music scene with the...
It appears as though one construct that continues to fascinate Yishau’s intellect...
Whatever the reasons were, Chikwe took over at NCDC, fought for the institution to have legal legs to stand on with the enactment of the NCDC Act of 2018; digitised the operations of the center, trained staff and built capacity both human, technological and mechanical to bring an end to over-reliance on parachute researchers, donors and UN agencies and made the center a world class facility.
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The Mess and Mental Distress of Man’s Dual Nature: A review of Olukorede S. Yishau’s ‘After the End’ — Oluwaseyi Oso
‘After the End’, Olukorede Yishau, Masobe Books, 2024, 220 pages
An Imperfect Storm: Unpacking Chikwe Ihekweazu’s riveting COVID-19 memoir – Toni Kan
An Imperfect Storm: A Pandemic and the Coming of Age of a Nigerian Institution, Chikwe Ihekweazu with Vivianne Ihekweazu, Masobe Books, 2024, 263 pages
Essays
Adulting as a wannabe writer – Aroh Anthonia Ifeoma
....this is what happens when you leave home in pursuit of happyness
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Latest Posts
Tade Ipadeola is keen on Makoma Wa Ngugi’s We, the Scarred. He...
Africa International Film Festival (AFRIFF) is set to launch its 13th edition...
Evelle has marked her triumphant return to the music scene with the...
It appears as though one construct that continues to fascinate Yishau’s intellect...
Whatever the reasons were, Chikwe took over at NCDC, fought for the institution to have legal legs to stand on with the enactment of the NCDC Act of 2018; digitised the operations of the center, trained staff and built capacity both human, technological and mechanical to bring an end to over-reliance on parachute researchers, donors and UN agencies and made the center a world class facility.
There is a new hard-hitting book on my desk entitled This Fiction...
Akon has made a remarkable return to the music scene, proving his...
The Royal Society of Literature (RSL) has unveiled an innovative new programme...
The Man Died, the film adaptation of Nobel laureate Wole Soyinka’s prison...
RZA of the iconic Wu-Tang Clan will host a free concert in...
In a compelling musical offering that bridges street culture with personal storytelling,...
Mario is set to release his first album in six years, “Glad...
Tòkunbò is written as a thriller and action movie. Ramsey Nouah’s ambitions as director are not very grand. It is a trite storyline of the regular Omo Eko, whose creed is to simply make it to see another day, but then struck by misfortune, in Tòkunbò’s case, his son’s heart disease, as he faces a dilemma from which finding a way out becomes a double-edged sword that leads to crime.
House of Ga'a is a massively successful project, entering Netflix's top 10 in multiple countries upon its release. From the setting to the storyline to the star-studded cast, it's little wonder why.
The Man Died is important as a historical testament of a nation told from the point of view of a writer, activist and politically engaged intellectual who has interrogated the failings of the Nigerian state for over a half century.
One remarkable attribute of Fireboy is his ability to blend sublime lyrics with the mundane (Lamba). Throughout the album the lyrics poetically explore the complexities of romantic relationships with a touch of levity. The album is well-sequenced from the opening track to the end, but the smooth transition from “obaa sima” to “need me” is simple yet beautiful.
We live in an era defined by artistic collaboration that defy borders. It’s understandable for an artist to seek international collaborations to broaden his horizons but some of the guest artists on Lungu Boy, though talented on their own, can’t seem to connect with Asake's Lagos street life, especially the Isalẹ Èkó street culture
With featured appearances from Olamide, Qing Ming, Ladi Poe, Amaeya, and the late Mohbad, Chike manages to create an album that further consolidates the strength of his exciting discography while announcing without equivocation the arrival of a legend in the making.
It appears as though one construct that continues to fascinate Yishau’s intellect is the duality of human nature, a construct he is yet to intellectually move on from, demagnetise or permanently shelve since his sophomore publication, Vaults of Secrets. This...
Whatever the reasons were, Chikwe took over at NCDC, fought for the institution to have legal legs to stand on with the enactment of the NCDC Act of 2018; digitised the operations of the center, trained staff and built capacity both human, technological and mechanical to bring an end to over-reliance on parachute researchers, donors and UN agencies and made the center a world class facility.
There is a new hard-hitting book on my desk entitled This Fiction Called Nigeria: The Struggle for Democracy by Adewale Maja-Pearce. It has just been published by Verso, in London, UK, and Verso, in Brooklyn, New York, US, in this...
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Tade Ipadeola is keen on Makoma Wa Ngugi’s We, the Scarred. He is intrigued about Antjie Krog’s A Change of...
Interviews
Ndidi Chiazor-Enenmor is a multi-talented author and passionate advocate for education, children’s rights and cultural awareness. With a background in...
A landmark event such as this global TV adaptation of Things Fall Apart definitely commands consummate critical attention, with some critics arguing in a nativist manner that a native Igbo actor ought to play the role of Okonkwo! Well, William Shakespeare’s plays are acted all over the world by actors from every part of the universe.
The Mess and Mental Distress of Man’s Dual Nature: A review of Olukorede S. Yishau’s ‘After the End’ — Oluwaseyi Oso
‘After the End’, Olukorede Yishau, Masobe Books, 2024, 220 pages
An Imperfect Storm: Unpacking Chikwe Ihekweazu’s riveting COVID-19 memoir – Toni Kan
An Imperfect Storm: A Pandemic and the Coming of Age of a Nigerian Institution, Chikwe Ihekweazu with Vivianne Ihekweazu, Masobe Books, 2024, 263 pages
A review of Adewale Maja- Pearce’s ‘This Fiction Called Nigeria’ — Uzor Maxim Uzoatu
This Fiction Called Nigeria: The Struggle for Democracy, Adewale Maja-Pearce, Verso, 2024. 185 pages
