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Technically, the film excels in its simplicity. The sound design is clean and immersive, especially during radio scenes, which are used effectively to externalize Uche’s inner thoughts. The editing is tight, avoiding unnecessary melodrama while still preserving dramatic tension. The film’s score is understated but emotional, punctuating key scenes without overpowering them.

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My primary reservation with this binary polarization of gender into victim and villain, this apportionment of blame in Adichie’s literary works is that it almost denies men their humanity. It foists on men this ideological coat of perpetrator of female suffering, and within this paradigm, it becomes strange, almost impossible, to even conceive of men as victims of female cruelty.
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