The Durban FilmMart Institute (DFMI) has announced that “Climbing the Mountains” is the recipient of its brand-new Documentary Award, supported by JustFilms. The feature documentary, which is currently in development, secured the $10,000 prize following a...
The United Kingdom was the clear winner at the 53rd International Emmy...
Michael B. Jordan leaned on subtle physical cues, including different-sized footwear, to...
Jimmy Cliff, the smooth-voiced Jamaican singer and actor whose music and starring...
BigXthaPlug and Post Malone search for solace in the wilderness in the...
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The Durban FilmMart Institute (DFMI) has announced that “Climbing the Mountains” is...
The United Kingdom was the clear winner at the 53rd International Emmy...
Michael B. Jordan leaned on subtle physical cues, including different-sized footwear, to...
Jimmy Cliff, the smooth-voiced Jamaican singer and actor whose music and starring...
BigXthaPlug and Post Malone search for solace in the wilderness in the...
Donald Glover, the multi-hyphenate artiste known as Childish Gambino, revealed this weekend...
Barbara Broccoli’s Eon Productions, known globally for the James Bond franchise, has...
Wicked: For Good has defied gravity at the box office, opening to...
Nicki Minaj has once again fuelled online discourse with a provocative social...
Warsheep has returned with the new single, “Nova,” a sultry, atmospheric track...
British-Nigerian artist and designer Yinka Ilori MBE has announced the launch of...
In a novel that seems to suggest that some endings are nothing but mere beginnings, when Eniiyi emerges from Ebun’s birth canal, there is little doubt that she bears an uncanny resemblance to the recently deceased.
Despite all these, My Father’s Shadow is not a dirge. Its fragmented form allows for moments of tenderness and beauty, even humour. These flashes underscore the resilience of ordinary Nigerians, who, despite betrayals by their leaders, continue to love, to sing, to imagine futures for their children.
My Father’s Shadow is not a film that tells you what to think about 1993 or about Nigeria’s long arc of disappointments. It’s a film that teaches you how to feel history: to smell it, taste it, hold it against your ribs. It’s a portrait of a father whose love is messy and incomplete, and a nation whose promises frequently arrive late or not at all.
For a movie that runs for two hours, its pacing is incredibly rushed, with timelines not clearly delineated. Jaiye proposes to Adaora within two months of dating her, and they get married with very little on-screen chemistry allowed to truly develop. What is even more implausible is how such a successful business woman is forced into such a naïve and juvenile arrangement, where she cannot spot the glaring ulterior motive, external pressures be damned.
Besides that, the album is well-curated and Bella Shmurda's collaborators perform remarkably, helping him achieve his purpose. “This kind of music is my essence, it's my purpose,” Bella Shmurda said in a video before the album was released. “The greatest war is sanity…it's a battle with yourself."
At 23 tracks, the album overextends itself, disrupting the intensity and ferocity that defined its opening half. Trimmed down to a lean 10–12 tracks, The Machine could have been a focused, tightly wound project. Instead, its sprawl dulls its edge. And by the time the final track, “HALLELUJAH,” featuring Phyno, Jeriq, and Tobe Nwigwe, rolls in, we are torn between joining the celebration and simply sighing with relief that the album has finally ended.
This project is a celebration of his influence and a declaration of his untouchable status. By curating, composing, and directing rather than merely producing, Sarz proves that the title of the album is less hyperbole than prophecy. And even though he doesn’t voice the record, his perspective as well as his personal one is thoroughly reflected.
In a novel that seems to suggest that some endings are nothing but mere beginnings, when Eniiyi emerges from Ebun’s birth canal, there is little doubt that she bears an uncanny resemblance to the recently deceased.
David Szalay is the recent winner of the Booker Prize, an honour he received at a dinner in London on Monday, 10 November 2025 for his novel, Flesh. The novel begins with Istvan as a lonely boy living in a...
Food is the unifying theme here, but categorizing Anyadu’s writing style into one genre can be a challenging undertaking seeing as his range spans comedy, folklore, and the Gothic. Not only is Anyadu’s literary palate diverse, he deploys multiple points of view in the manner of a seasoned chef deciding which cooking technique would maximise an ingredient’s flavour.
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The Durban FilmMart Institute (DFMI) has announced that “Climbing the Mountains” is the recipient of its brand-new Documentary Award, supported...
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Now based between Lagos and Toronto, Elsie is bringing a new kind of African digital storytelling to the world. She’s bilingual in culture, able to code-switch between Afrobeat street trends and Western pop references with ease. This ability to exist in multiple cultural spaces without diluting her message makes her relatable, magnetic, and globally relevant.
Because of this, our environment becomes vital to our progress. As a fifteen-year-old, I knew this intuitively, not as I know it now, not theoretically. I knew that my environment was limited in significant ways. It wasn't one for creativity or imagination. It lay at the tail end of cynicism
