What A Jolly Ride: A review of Sola Osofisan’s “The Simple Joys of Her Final Days” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
To kill a mockingbird and the addled mystics of paraplegic socio-economic organisations — Michael Oloyede
News·February 1, 2020·2 min readSenegalese rappers to present Journal Rappé at Munich Biennale 2020A partnership between the Music In Africa Foundation, Siemens Stiftung and Goethe-Institut will make it possible for Senegalese rappers Keyti... Read More