Ameh Egwu’s subjects are clearly men as is discernible from their physiognomy but peer as close as you want you cannot make out their facial features. The obscured facial features heighten that sense of the taboo because unable to discern their features, the men seem to be hiding albeit in plain sight.
Tag: Rele
The announcement of London based curator, writer and lecturer Peju Oshin as Associate Director at…
On Thursday June 9th, 2022 Rele art gallery hosted the first in it’s planned series…
Rele Gallery Thursday, September 9, 2021 threw open the doors to this year’s edition of…
Rele art gallery presents “You May Enter” a solo exhibition by contemporary Nigerian artist Tonia…
The date was Sunday, the 12th of February, 2020. While the sun blazed on, several…
It is a warm Saturday afternoon and Victor Ehikhamenor, artist, writer and photographer is smiling.…
A successful child is every parent’s dream and Rele was in celebratory mood as it…
Nigerian art has been missing a critical element, sculpture has been relegated and Rele has opened up a critical conversation