In this work, set in Abuja, Nigeria’s seat of power, and Jos, the city where the author grew up and lived for decades, nothing is contrived but carefully plotted so that before a major development is unfolded, signs precede it; before someone is killed, we would’ve been shown the instrument of murder.
Tag: Olukorede S Yishau
We also changed our ownership structure: thelagosreview.ng is now owned and published by The Literary Review of Writers Association, a not-for-profit organisation.
Our giant strides and continuing impact as a premier literary publication in Africa is all thanks to you: our staff, our writers, our cheer leaders and supporters.
Umukoro blends an authentic voice with emotional honesty, inviting readers into a world that feels both relatable and transformative. The characters wrestle with identity, change, and belonging in ways that resonate deeply.
In a novel that seems to suggest that some endings are nothing but mere beginnings, when Eniiyi emerges from Ebun’s birth canal, there is little doubt that she bears an uncanny resemblance to the recently deceased.
The plot of this novel is driven by deliberate withholding of information. A reader can tell that the narrator is keeping something vital and the desire to find out what is being hidden ensures the pages are continually flipped. Instances like this add to the book’s allure. For instance, later in Esther’s letters to Amina, when things have fallen apart, we gain more clarity, a clarity well-fleshened out in Iyanifa’s perspective.
A memoir is a deeply personal journey into memory, an intimate telling of a life,…
Odafen’s novel raises critical posers: Is it right for a husband to feel slighted because his father-in-law bought his wife a car without informing him first? Why do some men find it easy to turn their wives into punching bags? Does corporal punishment bring about good behaviour in a woman? Why does a generation of mothers justify the domestic abuse of their daughters? What are a woman’s primary responsibilities?
The opening chapters are thick with blood, dust, and sweat, evoking all the violent imagery these elements often conjure. They suggest a dark, complex narrative, one whose conclusion may be fraught with complications. Pain and death are hinted at, drawing the reader in with an irresistible pull to uncover more.
Masobe Books has secured the rights to publish “After The End,” the highly anticipated sophomore…
Sola Osofisan’s most recent book is a collection of a dozen short stories titled The…
The sophomore novel of Abubakar Adam Ibrahim, the author of the 2016 Nigeria Prize for…
LT Gen. Ibrahim Attahiru is dead but his good deeds will live almost forever. That…