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A strong thread running through the film is the idea of desperation, not just the kidnappers’, not just the families’, but a national kind of desperation that corrodes values and bends every character toward self-preservation.
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For a movie that runs for two hours, its pacing is incredibly rushed, with timelines not clearly delineated. Jaiye proposes to Adaora within two months of dating her, and they get married with very little on-screen chemistry allowed to truly develop. What is even more implausible is how such a successful business woman is forced into such a naïve and juvenile arrangement, where she cannot spot the glaring ulterior motive, external pressures be damned.
