What A Jolly Ride: A review of Sola Osofisan’s “The Simple Joys of Her Final Days” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
To kill a mockingbird and the addled mystics of paraplegic socio-economic organisations — Michael Oloyede
News·October 6, 2022·2 min readOscars selection committee explains why Kunle Afolayan’s “Anikulapo” was rejectedThe Nigeria Oscars Selection Committee (NOSC) has reacted to the criticism that came with its decision not to submit Kunle... Read More
