Her experiment anchors Folakunle Oshun’s words in his introduction that “at the heart of the exhibition is an exploration of the complexities of shifting notions of home and identity.”
The “Lagos, Peckham, Repeat: Pilgrimage To The Lakes” was a reminder that the immigrant is often no more than a tortoise and no matter how far the journey, he or she will always bear his or her home on her back.
If you follow the ongoing debate around repatriation and restitution of stolen art works especially from the Bini Kingdom, one...
Ike Ude’s portrait of Nollywood’s actors, actresses and directors is currently showing at the Smithsonian National Museum of African Art...
Peju Oshin’s debut at the Gagosian may have broken footfall records for an opening night but its relevance lies beyond attendance numbers. It lies more in the urgent conversations it has managed to open up around issues that resonate in contemporary diasporic discourse.
The first time an artist and a liquor company collaborated on a bottle was in 1985. Absolut was a Swedish...
“And the light shineth in darkness, and the darkness comprehended it not..” John 1:5. Tega Akpokona is so young but...
Nigerian art has been missing a critical element, sculpture has been relegated and Rele has opened up a critical conversation
Mr. Boateng styles himself as the apostle of Hueism, a photographic style that privileges the black body and subject presented with/in a burst of bright colours and joy.
A successful child is every parent’s dream and Rele was in celebratory mood as it opened the Young Contemporaries Alumni...
Most visitors to Holland, even those making a brief stop-over at Schiphol airport, almost always leave with a porcelain ceramic...
Kainebi Osahenye is soft spoken, self-effacing but prodigiously talented. Usually not the tallest man in the room, he however produces...
The date was Sunday, the 12th of February, 2020. While the sun blazed on, several young people sat somewhere in...