Today in #TheLagosReview

Jane Egerton-Idehen launches ‘Be Fearless’ Campaign to Support the Nigerian Woman

Focused on promoting gender equality, increasing female representation in STEM (science, technology, engineering, and mathematics) careers and providing support and direction for professional women, Jane Egerton-Idehen, a Tech Executive, Author, and Speaker has launched ‘Be Fearless’ Campaign a national campaign focused on highlighting the hurdles that prevent women from fulfilling their potential and providing a guide to younger women on the complexities of navigating career and life opportunities in their fields.

Jane Egerton-Idehen decried the gender gap that still undermines the economic security of most Nigerian women by limiting their ability to work and pursue a career and urged for gender equality focused on enabling higher growth, productivity and economic stability, not only for women but their families and ultimately the country. She stressed that Nigerian women still have just three-fourths of the legal rights and opportunities of men and called for activities that empower Nigerian women, especially in technology.

Read more here:

ASA Lucid Concert Lagos
This “Easter Weekend”

This Easter, Nigerian Soul singer Asa returns for another instalment of her yearly concert.

This edition is geared towards raising awareness for her new body of work titled ‘Lucid’.

The ‘Jailer’ crooner will be live this Easter Weekend at the Eko hotel and suites for ASA Lucid Concert Lagos scheduled to hold on the Saturday the 11th of April 2020.

Coachella, Stagecoach Officially Postponed.

It’s now official: the Coachella and Stagecoach festivals have been postponed due to concerns over the coronavirus outbreak. Organizers Goldenvoice released a statement on March 10:

At the direction of the County of Riverside and local health authorities, we must sadly confirm the rescheduling of Coachella and Stagecoach due to COVID-19 concerns. While this decision comes at a time of universal uncertainty, we take the safety and health of our guests, staff and community very seriously. We urge everyone to follow the guidelines and protocols put forth by public health officials.

Coachella will now take place on October 9, 10 and 11 and October 16, 17 and 18, 2020. Stagecoach will take place on October 23, 24 and 25, 2020. All purchases for the April dates will be honored for the rescheduled October dates. Purchasers will be notified by Friday, March 13 on how to obtain a refund if they are unable to attend.

Thank you for your continued support and we look forward to seeing you in the desert this fall.

Dominos are falling in the festival world, as the Coachella and Stagecoach postponements follow quickly on the heels of Friday afternoon’s announcement that South by Southwest is officially off for 2020. That was preceded by a Friday morning news conference officially confirming days of reports that Miami’s EDM-based Ultra Music Festival was being called off. Today, Miami’s Winter Music Conference was also called off.

The Coachella Valley Music and Arts Festival, which for several years has repeated the same lineup over two weekends instead of just one, was set to take place April 10-12 and again April 17-19. The scheduled nightly headliners were Rage Against the Machine, Travis Scott and Frank Ocean. Stagecoach, one of the nation’s biggest annual country music festivals, was to follow on the same grounds in Indio April 24-26, with Carrie Underwood, Eric Church and Thomas Rhett in the headline slots.

It’s unclear as yet which acts will perform on the rescheduled dates. All agents had been notified of the postponement in the last 24 hours.

By moving Coachella and Stagecoach as opposed to canceling them, Goldenvoice — and parent company AEG — shields itself from having to trigger cancelation insurance that may or may not cover communicable diseases. May’s Cannes Film Festival, for instance, is not insured against such a cancelation.

Dracula Movie in Development at Blumhouse With Karyn Kusama Directing.

Jason Blum’s Blumhouse Productions, which generated a horror hit with “The Invisible Man,” has launched development of an untitled Dracula movie.

Karyn Kusama, whose credits include “Destroyer,” “The Invitation” and “Jennifer’s Body,” is attached to direct the Dracula project. Matt Manfredi and Phil Hay, who teamed with Kusama on “Destroyer” and “The Invitation,” are writing the script.

The project is not set at a studio. Blumhouse has a first-look deal at Universal and partnered with the studio on “The Invisible Man.”

The Count Dracula character was created by Bram Stoker in his 1897 novel “Dracula” as the vampire moved from Transylvania to England and battled with Professor Abraham Van Helsing. The character was memorably portrayed by Bela Lugosi in Universal’s “Dracula” in 1931. Luke Evans played the vampire in 2014’s “Dracula Untold,” which grossed $217 million worldwide for Universal.

Universal has already been moving towards duplicating the success of “The Invisible Man,” which stars Elisabeth Moss and has topped $100 million worldwide on a $7 million budget. It announced last week that it was teaming with “Aquaman” director James Wan on a horror/thriller inspired by Universal’s monster legacy.

“The Invisible Man” is a modern-day version of the studio’s 1933 movie of the same name, which starred Claude Rains. Other Universal monsters of that era include Frankenstein, the Mummy, the Wolf Man and Creature from the Black Lagoon.

After breaking out as a producer on the original “Paranormal Activity,” Blum’s name has become synonymous with all things horror as the filmmaker launched franchises including “Insidious,” “Sinister,” “Ouija” and “Purge.” Blum has received nominations for the Academy Award for best picture for producing “Whiplash,” “Get Out,” and “BlacKkKlansman.”

‘The Hunt’: Film Review

An intense, over-the-top satire of partisan politics taken to its most dangerous extreme, Craig Zobel’s controversial thriller delivers the excitement, if not necessarily the deeper social critique.
Last summer, even before the public had gotten a chance to see it, humans-hunting-humans thriller “The Hunt” became a target for pundits on both sides of the gun control debate, when mass shootings in Dayton, Ohio, and El Paso, Texas, prompted critics to consider the media’s role in glorifying violence. In response, Universal ripped director Craig Zobel’s movie from its Sept. 27 release date and rescheduled the thriller for spring 2020, making room for national mourning in the wake of the horrific events, only to turn around and use the controversy as an unconventional marketing hook.

While not nearly as incendiary as the early coverage made it out to be, “The Hunt” gives skeptics ample ammunition to condemn this twisted riff on “The Most Dangerous Game,” in which a posse of heavily armed liberal elites get carried away exercising their Second Amendment rights against a dozen “deplorables” — as the hunters label their prey, adopting Hillary Clinton’s dismissive, dehumanizing term for the “racist, sexist, homophobic, xenophobic, Islamophobic” contingent whose fringe beliefs have found purchase with President Trump. No matter who you ask, the “right to bear arms” was never intended as justification for Americans to turn their guns against those they disagree with, whereas that’s the premise from which “Lost” creator Damon Lindelof and co-writer Nick Cuse depart here — partisan politics taken to their most irreconcilable extremes — as Zobel proves just the director to execute such a tight, well-oiled shock-a-thon.

Read more here:
https://variety.com/2020/film/reviews/the-hunt-review-1203529999/

Source: Variety.com

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