Compelling verses on colonialism, exile and man’s inhumanity to man: A review of Romeo Oriogun’s “Nomad”— Olukorede S Yishau
Harmattan of desire: A review of Arinze Ifeakandu’s “God’s Children Are Little Broken Things” — Julia Lichtblau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
Movie Review·November 20, 2022·3 min readStoryteller, imposter and an unexpected tragedy: A review of Adeoluwa Owu’s “The Griot” — Olukorede S YishauIt starts with a storyteller captivating an audience with a gripping tale about a man tempted by a water demon:... Read More
