The Mess and Mental Distress of Man’s Dual Nature: A review of Olukorede S. Yishau’s ‘After the End’ — Oluwaseyi Oso
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
There is no reason why a Nigerian child cannot speak a single Nigerian language — Ndidi Chiazor Enenmor
Stage Review·September 22, 2019·4 min readLagos Theatre Festival 2019: Shine your eyes before you “Swallow” bullshitThe performance was poetry on steroids with Obii in control, adopting persona after persona with ease Read More
