Essays

Chimamanda’s male characters: A parade of villains and “thieves of time” – Chinonso Nzeakor

My primary reservation with this binary polarization of gender into victim and villain, this apportionment of blame in Adichie’s literary works is that it almost denies men their humanity. It foists on men this ideological coat of perpetrator of female suffering, and within this paradigm, it becomes strange, almost impossible, to even conceive of men as victims of female cruelty.

Children of Blood and Bone: The Commodification of Nollywood through the Western Gaze – Yinka Adetu

While this is not a case of Them vs Us, the concern about how the story will represent Nigeria—not just in its grand mythology but in its smaller, more intimate details—is crucial. There is a reason to believe that the portrayal of Nigerian culture in Children of Blood and Bone will be filtered more through external research than through intuitive, lived-in sensibilities.

The Lagos Review: Best of 2024

We launched new series like the Sneak Peak and Migration and the Writer series, we discovered new writers like Precious Nzeakor (who won the Ken Saro Wiwa book review prize at LABAF 2024) and Joseph Jonathan and we ticked pretty much all the boxes we laid out in January.