Book Review

Between Agency and External Pressure: A Review of Jude Dibia’s The Quiet That Remains- Olukorede S Yishau

The motif of silence runs through the novel, shaping its emotional landscape and deepening its tensions. Characters retreat into silence as a shield against pain. In this novel, silence becomes a language of its own. It speaks in pauses, in averted gazes, in unfinished sentences. Relationships are defined as much by what is withheld as by what is expressed, and the gaps in communication often widen into emotional chasms. 

Saving a relationship through a divorce – Olukorede S Yishau 

On the surface, the book appears to be Abdullahi’s story, but in telling his story, it becomes other people’s stories as well.  “Nobody’s story has been as intricately connected with mine in the 20 years that this book covers as Senator Bukola Saraki’s… For most of the journey, I walked under his shadow… Therefore, readers will find that, to a large extent, this book is his story as well,” Abdullahi writes. But in a lot of ways, the book is more Saraki’s story than the memoirist claims.

The Inner Lives of Men: A review of ‘Where Women Meet Boys’ by Patrick Shyaka – Akumbu Uche

Interestingly, the strongest story in the collection – the titular Where Women Meet Boys – is one of two narratives written from the female perspective and showcases Shyaka’s skill with handling multiple perspectives. At its heart, it is about the domino effects of a man disappointing his family and so, still falls in line with the book’s overarching theme.

When poetry screams at power and displacement – Olukorede S Yishau 

Akinremi reminds us of the great poet Gabriel Okara, of ‘The Call of River Nun’ fame, with his poem ‘The Call of River Congo’. In this piece, his concern is plastic pollution and neglect. We see how bottles, cans and paper scraps have taken over the great body of water. It is a blow delivered on the authorities who neglected their responsibilities to this natural resource and watch with reckless abandon as it becomes a dumping ground.

Hymar David’s Memoir Is A Brave Manifesto for Self-Discovery & True Grit – Sima Essien

The memoir progressively comes off as an album of eclectic cuts. If “Signs of Our Redemption” burns bright as the bold anthem chronicling the #EndSARS saga, “Don’t Cry For Me, Argentina” is the wistful paean for diminished talents and dreams (“Nigeria happens to the best of us…”), while “And Always Remember Them” stands out as a poetic and elegiac tribute to the fiery season of 2020 (“It is the forgotten who are truly dead” p. 192). David’s use of “We remember them” as a refrain in that chapter creates a hypnotic, incantatory rhythm that sustains emotional accumulation.