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Music Review
Music Review

Asa’s “V”-ery thrilling concert at The Royal Albert Hall – Toni Kan
Lojay is an anti-romantic gangster on “Gangster Romantic” EP – Fatiat Saliu
Portable: A Portrait – Bunmi Familoni
Book Review
Book Review

Behold the Fire-spitting Woman King: A review of Oyin Olugbile’s “Sanya” — Olukorede S Yishau
Ike Anya is making a literary splash “Small by Small” – Toni Kan
When Things Turn Around: A review of Chimamanda Ngozi Adichie’s “The Visit”- Olukorede S Yishau
Movie Review
Movie Review

Jade Osiberu’s “Gangs of Lagos” triumphs in spectacle – Jerry Chiemeke
What critics are saying about “John Wick: Chapter 4″”
Netflix’s The Strays Leaves you Catatonic – Peju Akande
Theatre Review
Theatre Review

With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
OSAMEDE: Society in search of heroes and heroines -Ozoro Opute
An extra that did more than just waka pass in “Mamma Mia.. the Musical” -Peju Akande
Essays
Essays

Remembering OJ Ekemode – Michael Kolawole
Male authors are playing second fiddle to female writers -— Nicholas Sheppard
The Uses of Others: Onyeka Nwelue and African Literature in the Age of Cancel Culture — James Yékú
4 years on, we remember Pius Adesanmi
Interviews
Interviews

“High Life”: Buju Banton on collaboration with Snoop Dogg, upcoming album
My first experience on stage was in school — Tosin Adeyemi
Remembering Toba Opaleye, a sublime broadcaster – Bankole Banjo
News
News

Modern Nigerian sounds meet juju influences in Reminisce and Mohbad’s “Shina Peters”
Victoria Kimani dazzles with Afro-inspired slow-tempo bop “How I Do”
Annie Ernaux says Nobel literature prize has hindered her ability to focus on writing
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June 1, 2023

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About The Lagos Review

At The Lagos Review, we believe that a review is the first critical engagement with a work of art, books, movies, music, plays etc. It helps shape opinion, excite conversation, and push engagement.