What A Jolly Ride: A review of Sola Osofisan’s “The Simple Joys of Her Final Days” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
To kill a mockingbird and the addled mystics of paraplegic socio-economic organisations — Michael Oloyede
Music Review·October 4, 2020·2 min readPatoranking plays it safe on Three – Dami AjayiUnlike Timaya, his predecessor in many respects, Patoranking’s use of Caribbean derived dancehall is still suspect. His shtick in his... Read More
