What A Jolly Ride: A review of Sola Osofisan’s “The Simple Joys of Her Final Days” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
To kill a mockingbird and the addled mystics of paraplegic socio-economic organisations — Michael Oloyede
Music Review·December 1, 2019·2 min readErigga’s “The Erigma II”: From Warri to Lagos – Osamu EkhatorERIGGA’s latest The Erigma II sees the artist coursing through the backwaters of the Nigerian music industry to the sparkling... Read More
