By personifying the artefacts and giving them “voice”, Diop creates a profound and empathetic connection between the viewer and the artefacts, elevating their status beyond being seen as mere relics. This bold narrative choice elevates the documentary to a more intimate and retrospective level, inviting viewers to ponder the artefacts' storied past, and their cultural significance.
Mati Diop premiered her latest documentary, Dahomey, at the Berlin Film Festival, shedding light on the restitution of African artefacts...
A French second-hand dealer has successfully defended his right to retain the $4.6m proceeds from the sale of a rare...
n an eagerly awaited debut at the Venice Biennale, Benin is set to make a powerful statement about decolonisation and...
Peju Oshin’s debut at the Gagosian may have broken footfall records for an opening night but its relevance lies beyond attendance numbers. It lies more in the urgent conversations it has managed to open up around issues that resonate in contemporary diasporic discourse.