What A Jolly Ride: A review of Sola Osofisan’s “The Simple Joys of Her Final Days” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
To kill a mockingbird and the addled mystics of paraplegic socio-economic organisations — Michael Oloyede
Music Review·September 22, 2019·3 min readBurna Boy at the Court of Appeal of Artistic ExpectationsSophomore albums are scary especially if they weigh in against a successful debut. The contending artist grapples with many issues,... Read More
