Compelling verses on colonialism, exile and man’s inhumanity to man: A review of Romeo Oriogun’s “Nomad”— Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
Music Review·September 22, 2019·3 min readBurna Boy at the Court of Appeal of Artistic ExpectationsSophomore albums are scary especially if they weigh in against a successful debut. The contending artist grapples with many issues,... Read More