Nengi Omuku Archives - The Lagos Review

·October 1, 2023·3 min read

Nengi Omuku’s innovative fusion of art and indigenous textiles garnering international recognition

A distinctive convergence of artistic expression and Indigenous craft traditions has been taking root in the ever-evolving landscape of contemporary...

News

·September 15, 2024·1 min read

Nengi Omuku holds first solo exhibition in New York

Nigerian artist Nengi Omuku is set to make her mark on the New York art scene with her debut solo...

‘Olamide’: Olamide’s self-titled album is a playlist of half-hearted songs — Michael Kolawole

The Feast – Falz’s Most Intimate Offering Yet – Michael Kolawole

Femi Kuti’s “Journey Through Life” Is a Bitter but Repetitive Reflection on Nigeria’s Woes

Can science fully account for the mysteries of human life?: A Review of Ayo Deforge’s Grips of Grief— Olukorede S Yishau

Of Tradition & Transition: Review of ‘The Village Priest’ by Remmy Nweke — ‘Gbenga Sesan

Love, Interrupted: A review of ‘These Letters End In Tears’ by Musih Tedji Xaviere — Akumbu Uche

Taiwo Egunjobi’s “The Fire and the Moth” sacrifices plot for visuals – Precious Nzeakor

Red herrings and misdirections in Yemi Morafa’s ‘The Party’ – Chinonso Nzeakor

‘Landline’ Review: A bold, promising, yet flawed film – Precious Nzeakor

LAMDA’s production of James Baldwin’s “The Amen Corner” interrogates Christian charity – Toni Kan

Intriguing Insights into Reincarnation: A review of Cheta Igbokwe’s “Awele” — Nenye Okoye

With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi

Tribute to Ngugi wa Thiong’o, my literary hero — Andrew Maina

I Thought I Could Speak French Until I Arrived in France – Odueh Dorathy Ngozi

Chimamanda’s male characters: A parade of villains and “thieves of time” – Chinonso Nzeakor

Africa’s brave new ancestor called Ngugi — Uzor Maxim Uzoatu

Adrien Brody’s “Red Chip” revolution beyond the box office

I try to find that sweet spot between substance and form — Michael Afenfia

Toni Kan in Conversation with Nels Abbey who says – My favourite book would be The Coldest Winter Ever by Sister Souljah.

Caine Prize makes open call for 25th anniversary editing programme

YSMA exhibition mirrors Nigerian society

Udeme Ufot to chair QEDNG creative summit

Nengi Omuku

Nengi Omuku’s innovative fusion of art and indigenous textiles garnering international recognition

Nengi Omuku holds first solo exhibition in New York

Can science fully account for the mysteries of human life?: A Review of Ayo Deforge’s Grips of Grief— Olukorede S Yishau

Toni Kan’s book, Riding the Storm, clinches BCA African Business Book of the year award

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