What A Jolly Ride: A review of Sola Osofisan’s “The Simple Joys of Her Final Days” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
To kill a mockingbird and the addled mystics of paraplegic socio-economic organisations — Michael Oloyede
Stage Review·July 30, 2023·5 min readIntriguing Insights into Reincarnation: A review of Cheta Igbokwe’s “Awele” — Nenye Okoye“I regard the theatre as the greatest of all art forms, the most immediate way in which a human being... Read More
