House of Koko Archives - The Lagos Review

·May 14, 2023·3 min read

Meet Derrick Ofosu Boateng: Wave making Ghanaian photographer – Toni Kan

Mr. Boateng styles himself as the apostle of Hueism, a photographic style that privileges the black body and subject presented with/in a burst of bright colours and joy.

On adedamola, Fireboy returns to dazzling form – Michael Kolawole

Asake’s “Lungu Boy”: A bold but wonky attempt at reinvention – Michael Kolawole

‘Son of Chike’ announces the arrival of a legend – Adeniyi Odukoya

Mukoma wa Ngugi’s “We, The Scarred” presents a catalogue of losses – Precious Nzeakor

The Mess and Mental Distress of Man’s Dual Nature: A review of Olukorede S. Yishau’s ‘After the End’ — Oluwaseyi Oso

An Imperfect Storm: Unpacking Chikwe Ihekweazu’s riveting COVID-19 memoir – Toni Kan

Hijack 93: A thriller that fails to deliver the thrills – Joseph Jonathan

Ramsey Nouah’s Tòkunbò is like a two-headed snake – Carl Terver

Bashorun Ga’a’s Brutal Reign Immortalised in “House of Ga’a” – Precious Nzeakor

Intriguing Insights into Reincarnation: A review of Cheta Igbokwe’s “Awele” — Nenye Okoye

With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi

OSAMEDE: Society in search of heroes and heroines -Ozoro Opute

Uprooted and setting down new roots in France – Oyindamola Depo-Oyedokun.

‘Soyinka’s Metamorphosis: Echoes from The People’s Mandate!’ This is my story — Sunny Igboanugo

Chinua Achebe’s Things Fall Apart: Why the TV series matters – Uzor Maxim Uzoatu

Idris Elba or Chiwetel Ejiofor: Who should play Okonkwo in Things Fall Apart? – Toni Kan

Bimbo Manuel set to present “The Call” at LITF, says it’ll connect with the audience

There is no reason why a Nigerian child cannot speak a single Nigerian language — Ndidi Chiazor Enenmor

Literature is a way to articulate my vision of a more humane world — Uche Peter Umezurike

Young musicians unite for ‘Harmony Across Cultures’ classical fusion concert

Cassava Republic addresses racial imbalance in publishing

Historic Frick Collection unveils $220m Gilded Age revival

House of Koko

Meet Derrick Ofosu Boateng: Wave making Ghanaian photographer – Toni Kan

U2’s The Edge teases experimental new album

Mukoma wa Ngugi’s “We, The Scarred” presents a catalogue of losses – Precious Nzeakor

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