Aspirations, Appropriation, and the Power of Memory in Seyi Vibez’s Billion Dollar Baby – Adedayo Agarau
Religion and Poverty as Star-nosed Moles: A review of Olukorede S. Yishau’s “In The Name Of Our Father” — Enang God’swill Effiong
Su’eddie Vershima Agema’s In Memory And The Call Of Waters Is Poignant And Gut-Wrenching — Jerry Chiemeke
Storyteller, imposter and an unexpected tragedy: A review of Adeoluwa Owu’s “The Griot” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
Art ReviewsUncategorized·January 17, 2021·4 min readNdidi Dike’s “Commodities of Consumption and Sites of Extraction in the Global South”: Art as political statement – Toni KanDo you eat ice cream? If you do, do you like vanilla flavour? If you do, do you know where... Read More
