Aspirations, Appropriation, and the Power of Memory in Seyi Vibez’s Billion Dollar Baby – Adedayo Agarau
Religion and Poverty as Star-nosed Moles: A review of Olukorede S. Yishau’s “In The Name Of Our Father” — Enang God’swill Effiong
Su’eddie Vershima Agema’s In Memory And The Call Of Waters Is Poignant And Gut-Wrenching — Jerry Chiemeke
Storyteller, imposter and an unexpected tragedy: A review of Adeoluwa Owu’s “The Griot” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
Interviews/Profiles·February 16, 2020·7 min readThe Gospel According to The Cavemen – “Our music is for those unafraid to explore!” – Adaku Nwakanma“I didn’t know in the last three years that we were going to be The Cavemen, that we were going... Read More
