What A Jolly Ride: A review of Sola Osofisan’s “The Simple Joys of Her Final Days” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
To kill a mockingbird and the addled mystics of paraplegic socio-economic organisations — Michael Oloyede
News·February 20, 2020·4 min readBerlinale’s Africa Hub Hosts Revolutionary Voices.For 25 years, from 1992’s “La Frontera” via 2017’s ”A Implausible Girl,” a subsequent Oscar winner, the Berlinale has prized... Read More
