Aspirations, Appropriation, and the Power of Memory in Seyi Vibez’s Billion Dollar Baby – Adedayo Agarau
Religion and Poverty as Star-nosed Moles: A review of Olukorede S. Yishau’s “In The Name Of Our Father” — Enang God’swill Effiong
Su’eddie Vershima Agema’s In Memory And The Call Of Waters Is Poignant And Gut-Wrenching — Jerry Chiemeke
Storyteller, imposter and an unexpected tragedy: A review of Adeoluwa Owu’s “The Griot” — Olukorede S Yishau
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
News·October 6, 2022·2 min readOscars selection committee explains why Kunle Afolayan’s “Anikulapo” was rejectedThe Nigeria Oscars Selection Committee (NOSC) has reacted to the criticism that came with its decision not to submit Kunle... Read More
