Putting a city’s name in the title of a film is indirectly promising the audience that the city is central to the soul of the story. Aba has an incredibly distinct, commercial and bustling identity. The Aba setting of this film, however, is nominal; there is nothing visually tying this film to the city. It could have been set in any city but Aba.
Nearly all the men and women in Obinna Udenwe's latest book, 'The Widow Who Died With Flowers in Her Mouth', are mad.




