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The YA Book Prize 2025 is officially open for submissions, inviting publishers...
Beyoncé stole the show at the 67th Grammy Awards, winning Album of...
Her winning song is a remake of Seye Sodimu’s classic song which famously featured and introduced the world to Nollywood actress, Shaffy Bello, who played his love interest in the video of the song. While the internet is bugging out following Tems’ failure to mention Sodinmu in her acceptance speech at the Grammys, we present excerpts of TLR’s reviews of the album and our thoughts on the song:
PV Idemudia has joined forces with Canada’s YYC Worship to release their...
Beyoncé has done it again. The global music icon made history at...
Temilade Openiyi, popularly known as Tems, has won the Best African Music...
The Nigeria Prize for Literature and The Nigeria Prize for Science have...
Wademix has made a triumphant return with his latest single, “Osegeme,” featuring...
Rele Gallery is marking its 10th anniversary this year, after transforming from...
Ameh Egwu’s subjects are clearly men as is discernible from their physiognomy but peer as close as you want you cannot make out their facial features. The obscured facial features heighten that sense of the taboo because unable to discern their features, the men seem to be hiding albeit in plain sight.
The Pfumo Collective is poised to be a game-changer for African literature,...
Odafen’s novel raises critical posers: Is it right for a husband to feel slighted because his father-in-law bought his wife a car without informing him first? Why do some men find it easy to turn their wives into punching bags? Does corporal punishment bring about good behaviour in a woman? Why does a generation of mothers justify the domestic abuse of their daughters? What are a woman's primary responsibilities?
