Latest Posts
Nigeria’s leading commercial bank, First Bank of Nigeria, has joined forces with...
Abuja’s literary community is in for a treat as celebrated Nigerian author...
Drake’s much-anticipated closing set at London’s Wireless Festival ended abruptly after just...
The Next Narrative Africa Fund (NNAF) has announced its first open call...
Agatchu, fast-rising French Angolan artiste, songwriter and producer, has unveiled his highly...
Kocee, known for his rapid-fire delivery and insightful storytelling, has released his...
Fiokee, Afropop’s celebrated guitarist and producer, is making waves with his captivating...
After a three-year wait, Tunde Kelani’s highly anticipated film, “Cordelia,” is set...
“When Winston was born, lots of fairies swooped down on his cradle...
Baddo’s Song’ with the South African musical duo Jazzworx and Thukuthela, a supposed homage to rapper-singer Olamide, does a disservice to his towering reputation in the Nigerian music scene. Why collaborate with artists not attuned to Nigerian street-pop or Olamide's musical brilliance and influences on a tribute song?
Because of this, our environment becomes vital to our progress. As a fifteen-year-old, I knew this intuitively, not as I know it now, not theoretically. I knew that my environment was limited in significant ways. It wasn't one for creativity or imagination. It lay at the tail end of cynicism
All is set for a feast of performances, intellectual discourse, and exhibition...
