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By personifying the artefacts and giving them “voice”, Diop creates a profound and empathetic connection between the viewer and the artefacts, elevating their status beyond being seen as mere relics. This bold narrative choice elevates the documentary to a more intimate and retrospective level, inviting viewers to ponder the artefacts' storied past, and their cultural significance.
Guerrilla Journalist, 320 pages long and published by Babafemi Ojudu could have been better edited. Writers are notorious for not liking their work to be edited but every writer needs the detachment of an editor. It is a major flaw that the book has no index – it is impossible to find with ease, invaluable references to people and events.
Faber has acquired “Kiss Marry Kill,” a pulse-racing debut thriller by British-Nigerian...
Sheffield’s Crucible Theatre is currently home to a powerful and thought-provoking production...
In honour of what would have been Bob Marley’s 80th birthday on...
Rema is making waves once again with his latest release, “Baby (Is...
A captivating photo exhibition, One Step Closer, has debuted at the Dimbola...
Nairobi-based music duo V-BE, composed of rapper Mshairi Spikes and vocalist Tuku...
Juliette Binoche has been named president of the jury for the 78th...
Percival Everett’s critically acclaimed novel *James* has secured yet another prestigious nomination,...
WurlD has once again captivated listeners with his latest single, “Outside,” a...
The YA Book Prize 2025 is officially open for submissions, inviting publishers...
