Fireboy DML’s debut album has been anticipated since his breakthrough single ‘Jealous’ crept up on us subtly and became an...
ERIGGA’s latest The Erigma II sees the artist coursing through the backwaters of the Nigerian music industry to the sparkling...
Zlatan Abeg No Kill Us, aka Zanku, began its commercial appeal first as a dance, then as a song, before...
“Tomorrow I will wake from this dream,” Aṣa sings softly on “My Dear,” toward the end of her fourth studio...
This is not an endorsement of violence. Not in the least. But, oftentimes, we are faced with scenarios that make...
He calls this project, “Deal With It” and it is obviously more Hip-Hop in its concept as much as it...
Davido’s hugely anticipated second LP and third body of work, “A Good Time”, has been assigned full marks by a...
It appears a new guard of crooners have been thrust upon us—and old hands that came into their own after...
Freshly coronated at the struggling Headies, Teni is, without a doubt, the biggest discovery of contemporary Nigerian music in the past...
The release of Asa’s Lucid was a cultural event. Coming at least a dozen years after her self-titled debut and...
Fela Anikulapo-Kuti would have turned 81 on October 15 of this year, but for the fact that he has been...
In the fashion of self-referential album titles, Illy Bomaye, Ill Bliss’s fifth studio album sticks to tradition. Cutting a new...
