I Love Girls with Trobul. Declarative and acknowledging, perhaps even romcom cheeky—this is the title of the first EP collaboration...
On 25th June, 2017, the cash-backed TV game show, Who Wants to Be a Millionaire, was called off Nigerian TV...
Davido’s hugely anticipated second LP and third body of work, “A Good Time”, has been assigned full marks by a...
It appears a new guard of crooners have been thrust upon us—and old hands that came into their own after...
Freshly coronated at the struggling Headies, Teni is, without a doubt, the biggest discovery of contemporary Nigerian music in the past...
The release of Asa’s Lucid was a cultural event. Coming at least a dozen years after her self-titled debut and...
What is most striking about Show Dem Camp’s new record, The Palmwine Express, is that it feels markedly different from...
Fireboy DML’s debut album has been anticipated since his breakthrough single ‘Jealous’ crept up on us subtly and became an...
ERIGGA’s latest The Erigma II sees the artist coursing through the backwaters of the Nigerian music industry to the sparkling...
Zlatan Abeg No Kill Us, aka Zanku, began its commercial appeal first as a dance, then as a song, before...
“Tomorrow I will wake from this dream,” Aṣa sings softly on “My Dear,” toward the end of her fourth studio...
This is not an endorsement of violence. Not in the least. But, oftentimes, we are faced with scenarios that make...
