This project is a celebration of his influence and a declaration of his untouchable status. By curating, composing, and directing rather than merely producing, Sarz proves that the title of the album is less hyperbole than prophecy. And even though he doesn’t voice the record, his perspective as well as his personal one is thoroughly reflected.
I once introduced a friend to a genial fellow at Freedom Park. We were at the food court where an...
For a Nigerian artist who had his first solo hit, almost two years after Wizkid’s, the man Brymo has come...
The Lagos Review is back, like clockwork, at year’s end with another definitive list: it is the Top 100 Afrobeats...
Contrary to whatever you may have heard about the Anikulapo-Kutis as a weed-loving dysfunctional family always at loggerheads with each...
Chalk it up to the advent of ‘Soundcloud music’ – the alté scene – which began a couple of years...
Nigerian rapper A-Q released Golden two months ago with no fanfare. While the exact description for the project remains elusive,...
Photo Credits: Still from Martell Cypher 2 Eight months after the well-received Martell/Chocolate City cypher, Chocolate City Finest, led by...
On the first day of April, Brymos’s seventh studio album, Yellow dropped and as expected, it is currently the most...
Fireboy DML’s debut album has been anticipated since his breakthrough single ‘Jealous’ crept up on us subtly and became an...
From his lead single ‘Tonongo’ to ‘Monalisa’, both on his collaborative EP with Sarz LV N ATTN, Lojay has been...
On the 9th of December 2014, Adekunle Gold released Sade, a cover of One Direction’s Story of My Life. The move caught...













