Chalk it up to the advent of ‘Soundcloud music’ – the alté scene – which began a couple of years...
There is a fair chance that you may not have heard the name Fakoya Qudus Oluwadamilare, but if you haven’t...
If this album is a collection of her experiences, she should have more to share than love and the struggles of adjusting to her newfound fame.
With growing buzz and anticipation around WurlD’s new releases, he continues to showcase his unique ability to fuse soulful sounds,...
i When Sauti Sol’s Suzanna came up on my YouTube Music playlist a couple of weeks ago, I was completely oblivious of...
Wizkid’s fourth album, Made in Lagos, acquired a mythical notoriety as a masterclass in postponement. The problem was not the...
Bantu! Many would almost swear they understood the word. But, such tempting assurance of an exhaustive knowledge of the word...
Barry Jhay, son of fuji godfather, Alhaji (Dr.) Sikiru Ayinde Barrister, has finally dropped his debut project Barry Back. It...
In our review of Asake's Work of Art, Toni Kan described the song as "one of the best boast tracks to ever come out of Nigeria"
Ayra Starr’s 19 & Dangerous will go down as one of the top albums of 2021, straddling, as it does,...
Despite the brilliance of some of the songs, they end sooner than expected, just as one begins to enjoy them. However, the seamless fusion of genres and concise song structures contribute to the album's freshness and appeal, making it a standout in contemporary music.
When he cannot productively focus this energy, however, what emerges is an inordinate mess, like the repetitive OZEBA. Working with high octane sounds means Rema often straddles the divide between irritating noise and a beautiful madness; and there are those who will think he has placed his album firmly in the former.
