Dwayne Johnson and filmmaker Benny Safdie’s next collaboration, the film adaptation of Daniel Pinkwater’s novel Lizard Music, has officially landed...
Mel Gibson is making bold moves for his long-anticipated follow-up to the controversial 2004 blockbuster, The Passion of the Christ....
Nigerian production companies Judith Audu Productions and Switch Visuals Productions have officially begun production on “EVI,” an upcoming female-led feature...
This weekend’s box office belonged to two undeniable draws: Taylor Swift and Dwayne “The Rock” Johnson, per abcnews.go.com. While it...
The long-awaited trailer for Guillermo del Toro’s Frankenstein has officially dropped, offering a chilling glimpse into the gothic world of...
Worcester is set to host the 10th anniversary edition of the Realtime International Film Festival (RTF), a three-day celebration of...
Al Pacino has broken his silence on the death of his former co-star and long-time love, Diane Keaton, penning an...
Legendary actress Diane Keaton has died at the age of 79, her family confirmed to people.com on Saturday. A...
FilmOne Entertainment, a prominent Nigerian film distribution and production company, has acquired the exclusive distribution rights for “Colours of Fire,”...
The controversy surrounding the computer-generated “actress” Tilly Norwood has intensified as the UK acting union Equity publicly condemned the creation,...
The National Film and Video Foundation (NFVF) of South Africa has officially selected Imran Hamdulay’s The Heart Is a Muscle...
Lagos, more than any other space in Nollywood, crystallises the contradictions of Nigeria itself. The city promises opportunity yet metes out hardship with the same intensity; it dazzles with its excess while suffocating with its scarcity. To enter Lagos on-screen is to be confronted with the paradoxes that define the nation = ambition and corruption, resilience and fatigue, spectacle and decay.
