The Yemisi Shyllon Museum of Art (YSMA) is currently hosting a powerful new exhibition, “Mirror: A Visual Dialogue on the Nigerian Society,” a captivating journey through the nation’s past, present and potential future, all seen through the insightful lens of art. Launched on July 1, the exhibition promises to be a profound medium for understanding the complexities, truths and sometimes uncomfortable contradictions of Nigerian society.
Art, in its most authentic form, transcends mere aesthetics; it reflects lived experiences, challenges perceptions, and provokes thought. “Mirror” harnesses this transformative power, drawing from the museum’s extensive archives and enriched by loaned pieces from leading contemporary artists. The result is a vibrant visual conversation that captures Nigeria’s historical trajectory and its intricate socio-cultural landscape, spotlighting both its triumphs and its enduring challenges.
Curated by Charles Udeh, the exhibition is thoughtfully organised into five distinct sections, guiding visitors through a multifaceted exploration of Nigerian society while deftly connecting local narratives to universal themes.
The exhibition commences with “Power,” an incisive examination of the intricate dynamics of power acquisition and its far-reaching impact. Masterpieces like Tony Nsofor’s Grim Polity: Ballot Boxes and Beast of Power, Edosa Ogiugo’s The Godfather, and Kelani Abass’ Man and Machine dissect the interplay of ambition, authority, and influence, prompting viewers to reflect on their myriad manifestations in political, social, and economic spheres.
Following this is “Faith,” a section that delves into the profound role of religion in shaping Nigerian identity. Through works such as the traditional carving Opon Ifa, Victor Epuk’s Adura, and Ben Osaghae’s Miracle for Sale, visitors witness a nuanced exploration of the nation’s deep spiritual currents and their societal implications, scrutinising the interplay of faith, ritual and even the commodification of wonder.
“Headlines” confronts the pressing issues that dominate Nigeria’s public discourse. Featuring impactful works like Hakeem Salaam’s untitled photograph, Banjo Olawumi’s The Comforter, and Damilola Opedun’s Commonwealth, this section unflinchingly captures the urgency and weight of contemporary crises, from insurgency to economic challenges and widespread insecurity, urging viewers to engage with the realities that shape the nation.
The penultimate section, “Women,” is a powerful tribute to the contributions of women in Nigerian society, while simultaneously addressing the formidable challenges they face. Works such as Diseye Tantua’s Waiting II, various pieces by Chigozie Obi, Olawunmi Banjo’s Choice of Freedom, Peju Alatise’s Nine-Year-Old Bride, and Katume Gana’s Bridal Gown poignantly explore themes of empowerment, gender inequality, and societal expectations, offering a crucial commentary on women’s diverse experiences.
Finally, “Legacy and Future” offers a forward-looking reflection on Nigeria’s historical roots and its ambitious aspirations. By juxtaposing works that honour cultural heritage with those envisioning progress, this section beautifully underscores the inherent tension between tradition and modernity, encouraging viewers to contemplate how Nigeria’s rich past informs its path forward in an increasingly globalized world.
“Mirror” is an impassioned invitation to engage in a profound dialogue with the very soul of Nigeria. By presenting art as both a mirror to society and a catalyst for critique, it fosters a deeper understanding of Nigeria’s identity within a global framework. The diverse collection sparks vital conversations about universal issues—power, faith, societal challenges, and gender dynamics—all while remaining deeply rooted in the authentic Nigerian experience.
The Yemisi Shyllon Museum of Art, located on the Main Campus KM 52, Lekki Expressway, (Near Eleko Beach Junction), Ibeju-Lekki, Lagos, welcomes visitors Tuesday to Saturday from 10am to 4pm, and Sundays from 12pm to 4pm.
