The Mess and Mental Distress of Man’s Dual Nature: A review of Olukorede S. Yishau’s ‘After the End’ — Oluwaseyi Oso
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
There is no reason why a Nigerian child cannot speak a single Nigerian language — Ndidi Chiazor Enenmor
Stage Review·February 16, 2020·1 min readTope Tedela’s “Whumanizer” for Lagos Theater Festival 2020 – Toni KanIn October 2019, Tope Tedela thrilled a full and critical crowd of writers and sundry creatives with his one man... Read More