“A Blitz In The Haze” Paints A Complex Portrait of Darkness & Light In Northern Nigeria – Sima Essien
The delicate interplay of fate and agency in Olufunke Grace Bankole’s “The Edge of Water”- Olukorede S Yishau
“Freedom Way” Review: A quietly devastating portrayal of struggle, survival & systemic madness — Joseph Jonathan
Tense and Emotionally Charged: Kemi Adetiba’s “To Kill a Monkey” is a pulsating crime thriller – Chinonso Nzeakor
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
Elsie Is Bringing Music Conversations to Our Doorsteps From Lagos to Toronto to the World – Onyema Dike
Tinubu proposes CBN endowment fund to revolutionise Nigeria’s creative sector, renames National Theatre after Soyinka — Terh Agbedeh
Stage Review·May 23, 2021·6 min readWhen BAP Productions staged Soyinka’s historical drama “Death and the King’s Horseman” – Anote AjeluorouBolanle Austen-Peters is a strong advocate of the African storytelling as an important export to the outside world. She believes... Read More
