나쁜 애도/Bad Lament responds to this injustice through a queer lens on mourning. The exhibition gathers artists working in performance, video, installation, and drawing. Together, they propose grief not as ritual perfection, but as protest; fragmented, messy, necessary.
In a thrilling revelation on Monday, November 20, the Museum of the African Diaspora (MoAD) unveiled Eloghosa Osunde, the author...
In “Stories of our Lives,” the Nest Collective — an art collective based in Kenya — takes on an inspiring...
A symbol on the cover of Mikael Owunna’s new book, Limitless Africans (FotoEvidence), depicts two women lying down on a...