From the outset, the novel establishes the dreadful gravity of this decision. On page 39, an elder observes, “When the gods want to bring down a man's house, they set in motion a chain of events that lead to his downfall.” Yet as the narrative unfolds, Patrice emerges not merely as a victim of metaphysical forces, but of rigid standards of masculinity that leave him unable to retreat without feeling emasculated. To admit fault, in his mind, would be to embrace weakness.
Nearly all the men and women in Obinna Udenwe's latest book, 'The Widow Who Died With Flowers in Her Mouth', are mad.
Abi Dare (The Girl with the Louding Voice), Cheluchi Onyemelukwe (The Son of the House) and Obinna Udenwe (Colours of...





