What emerges from this confluence is an exhibition of emotional and intellectual breadth. Across the artists, there is coherence, despite geographical and formal differences. From Ruins to Remembrance is in that sense a wake-up call. The festival holds up ruins not to glamourise decay, but to demand accountability: for heritage, for neglect, and for stories that risk being forgotten.
Nigerian ceramist Ngozi-Omeje Ezema has become the first African artist to stage a solo exhibition in the rotunda of Munich’s...





