The Mess and Mental Distress of Man’s Dual Nature: A review of Olukorede S. Yishau’s ‘After the End’ — Oluwaseyi Oso
With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi
There is no reason why a Nigerian child cannot speak a single Nigerian language — Ndidi Chiazor Enenmor
Stage Review·August 29, 2019·2 min readLagos Theatre Festival 2019: Lala Akindoju’s “Lavender” is a science experiment"Lavender" explores what it means to be modern in a society still hanging on to the coat tails of tradition. Read More
