The Africa International Human Rights Film Festival (AIHRFF) is set to convene its fourth annual gathering in Lagos, Nigeria, from...
Street Church Music has released their new single, “No L (A Street Christmas),” a fresh, high-energy take on the holiday...
What emerges from this confluence is an exhibition of emotional and intellectual breadth. Across the artists, there is coherence, despite geographical and formal differences. From Ruins to Remembrance is in that sense a wake-up call. The festival holds up ruins not to glamourise decay, but to demand accountability: for heritage, for neglect, and for stories that risk being forgotten.
The British Council Nigeria is set to host a major creative symposium in Lagos, bringing together innovators to explore how...
The Lagos Fringe Festival 2025 is set to transform Freedom Park, Lagos, into a vibrant hub of artistic expression from...
Despite all these, My Father’s Shadow is not a dirge. Its fragmented form allows for moments of tenderness and beauty, even humour. These flashes underscore the resilience of ordinary Nigerians, who, despite betrayals by their leaders, continue to love, to sing, to imagine futures for their children.
My Father’s Shadow is not a film that tells you what to think about 1993 or about Nigeria’s long arc of disappointments. It’s a film that teaches you how to feel history: to smell it, taste it, hold it against your ribs. It’s a portrait of a father whose love is messy and incomplete, and a nation whose promises frequently arrive late or not at all.
Lagos, more than any other space in Nollywood, crystallises the contradictions of Nigeria itself. The city promises opportunity yet metes out hardship with the same intensity; it dazzles with its excess while suffocating with its scarcity. To enter Lagos on-screen is to be confronted with the paradoxes that define the nation = ambition and corruption, resilience and fatigue, spectacle and decay.
Now based between Lagos and Toronto, Elsie is bringing a new kind of African digital storytelling to the world. She’s bilingual in culture, able to code-switch between Afrobeat street trends and Western pop references with ease. This ability to exist in multiple cultural spaces without diluting her message makes her relatable, magnetic, and globally relevant.
The public voting portal for the 2025 All Africa Music Awards (AFRIMA) swings open September 10, giving music fans around...
The New Media Conference (NMC) is celebrating its 10th anniversary with the theme, “A Decade of Disrupting New Media: Shaping...
The Centre for Contemporary Arts (CCA, Lagos) is set to host a unique sonic session this Friday, August 29 inviting...
