Judith Audu Archives - The Lagos Review

·June 15, 2025·6 min read

Red herrings and misdirections in Yemi Morafa’s ‘The Party’ – Chinonso Nzeakor

They are ‘traps’ which the viewers should not be able to easily detect, and they must truly inspire misdirection and doubt. Without this apparent sense of jeopardy, a murder mystery loses its capacity to elicit and maintain tension.

News

·December 17, 2024·2 min read

KAP Film and Television Academy graduates 40 filmmakers in collaboration with French Embassy

Forty aspiring filmmakers celebrated their graduation from the KAP Film and Television Academy’s Advanced Filmmaking Masterclass on Monday, marking the...

‘Olamide’: Olamide’s self-titled album is a playlist of half-hearted songs — Michael Kolawole

The Feast – Falz’s Most Intimate Offering Yet – Michael Kolawole

Femi Kuti’s “Journey Through Life” Is a Bitter but Repetitive Reflection on Nigeria’s Woes

Can science fully account for the mysteries of human life?: A Review of Ayo Deforge’s Grips of Grief— Olukorede S Yishau

Of Tradition & Transition: Review of ‘The Village Priest’ by Remmy Nweke — ‘Gbenga Sesan

Love, Interrupted: A review of ‘These Letters End In Tears’ by Musih Tedji Xaviere — Akumbu Uche

Taiwo Egunjobi’s “The Fire and the Moth” sacrifices plot for visuals – Precious Nzeakor

Red herrings and misdirections in Yemi Morafa’s ‘The Party’ – Chinonso Nzeakor

‘Landline’ Review: A bold, promising, yet flawed film – Precious Nzeakor

LAMDA’s production of James Baldwin’s “The Amen Corner” interrogates Christian charity – Toni Kan

Intriguing Insights into Reincarnation: A review of Cheta Igbokwe’s “Awele” — Nenye Okoye

With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi

Tribute to Ngugi wa Thiong’o, my literary hero — Andrew Maina

I Thought I Could Speak French Until I Arrived in France – Odueh Dorathy Ngozi

Chimamanda’s male characters: A parade of villains and “thieves of time” – Chinonso Nzeakor

Africa’s brave new ancestor called Ngugi — Uzor Maxim Uzoatu

Adrien Brody’s “Red Chip” revolution beyond the box office

I try to find that sweet spot between substance and form — Michael Afenfia

Toni Kan in Conversation with Nels Abbey who says – My favourite book would be The Coldest Winter Ever by Sister Souljah.

The Met spotlights Emily Sargent’s long-lost watercolours

A Noble Warrior’s Tribute: Musical masterpiece celebrates Wole Soyinka @91

Caine Prize makes open call for 25th anniversary editing programme

Judith Audu

Red herrings and misdirections in Yemi Morafa’s ‘The Party’ – Chinonso Nzeakor

KAP Film and Television Academy graduates 40 filmmakers in collaboration with French Embassy

The Met spotlights Emily Sargent’s long-lost watercolours

Oasis make triumphant return after 16 years

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