Delfina Foundation Archives - The Lagos Review

·November 6, 2022·1 min read

Tate’s Brooks International Fellowship Programme accepting applications till November 16

Tate, in collaboration with Delfina Foundation, invites applications for the 2023 Brooks International Fellowship Programme. Deadline is November 16, 2022....

On adedamola, Fireboy returns to dazzling form – Michael Kolawole

Asake’s “Lungu Boy”: A bold but wonky attempt at reinvention – Michael Kolawole

‘Son of Chike’ announces the arrival of a legend – Adeniyi Odukoya

Mukoma wa Ngugi’s “We, The Scarred” presents a catalogue of losses – Precious Nzeakor

The Mess and Mental Distress of Man’s Dual Nature: A review of Olukorede S. Yishau’s ‘After the End’ — Oluwaseyi Oso

An Imperfect Storm: Unpacking Chikwe Ihekweazu’s riveting COVID-19 memoir – Toni Kan

Hijack 93: A thriller that fails to deliver the thrills – Joseph Jonathan

Ramsey Nouah’s Tòkunbò is like a two-headed snake – Carl Terver

Bashorun Ga’a’s Brutal Reign Immortalised in “House of Ga’a” – Precious Nzeakor

Intriguing Insights into Reincarnation: A review of Cheta Igbokwe’s “Awele” — Nenye Okoye

With “Wedlock of the Gods,” professor brings Nigerian storytelling and culture to USC main stage — Chinyere Amobi

OSAMEDE: Society in search of heroes and heroines -Ozoro Opute

Uprooted and setting down new roots in France – Oyindamola Depo-Oyedokun.

‘Soyinka’s Metamorphosis: Echoes from The People’s Mandate!’ This is my story — Sunny Igboanugo

Chinua Achebe’s Things Fall Apart: Why the TV series matters – Uzor Maxim Uzoatu

Idris Elba or Chiwetel Ejiofor: Who should play Okonkwo in Things Fall Apart? – Toni Kan

Bimbo Manuel set to present “The Call” at LITF, says it’ll connect with the audience

There is no reason why a Nigerian child cannot speak a single Nigerian language — Ndidi Chiazor Enenmor

Literature is a way to articulate my vision of a more humane world — Uche Peter Umezurike

Young musicians unite for ‘Harmony Across Cultures’ classical fusion concert

Cassava Republic addresses racial imbalance in publishing

Historic Frick Collection unveils $220m Gilded Age revival

Delfina Foundation

Tate’s Brooks International Fellowship Programme accepting applications till November 16

U2’s The Edge teases experimental new album

Mukoma wa Ngugi’s “We, The Scarred” presents a catalogue of losses – Precious Nzeakor

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