Rele Gallery is marking its 10th anniversary this year, after transforming from a single gallery in Lagos to a transnational...
Ameh Egwu’s subjects are clearly men as is discernible from their physiognomy but peer as close as you want you cannot make out their facial features. The obscured facial features heighten that sense of the taboo because unable to discern their features, the men seem to be hiding albeit in plain sight.
Rele has landed in Asia with the exhibition – From Lagos to Seoul, which opened at VODA gallery, Seoul, Korea...
