Latest Posts
Victoria Orenze, a renowned preacher, revivalist, and worship leader, has released her...
The National Film and Video Foundation (NFVF) of South Africa has officially...
The Lights, Camera, Africa! (LCA!) Film Festival is marking its revival with...
Lagos-based Afro-dancehall sensation and Davido Music Worldwide (DMW) signee, Mightyyout (pronounced Mighty...
Bella Shmurda is peeling back the curtain on the paradox of success...
Zimbabwean writer NoViolet Bulawayo has been awarded the prestigious ‘Best of Caine’...
Fresh from seeing one of its homegrown talents shortlisted for a major...
Worcester is set to host the 10th anniversary edition of the Realtime...
Young Thug is drawing intense criticism on social media, specifically X, following...
In contemplating the works of these other portrait photographers one notices, almost immediately, the constant focus on the subject, especially the face or in the case of nudes, the body, as the object of the shoot but there is a sharp shift in portraits by Ike Ude which are, as earlier mentioned, usually full length and defined by a quirky dandification, an almost colouring in of the subject into his background something Ike Ude has explained as coming from his past as a painter.
Lagos, more than any other space in Nollywood, crystallises the contradictions of Nigeria itself. The city promises opportunity yet metes out hardship with the same intensity; it dazzles with its excess while suffocating with its scarcity. To enter Lagos on-screen is to be confronted with the paradoxes that define the nation = ambition and corruption, resilience and fatigue, spectacle and decay.
Peruzzi has cemented his reputation as one of the country’s most gifted...



















