In a compelling musical offering that bridges street culture with personal storytelling, emerging Afropop sensation King Rapsodi has released his highly anticipated EP, “The Rhapsodies.” The artiste, born Rasaki Andrew Sodiki in Osun State, Nigeria, has crafted a seven-track collection that delves deep into his experiences while addressing contemporary social issues.
The EP, which follows the success of his viral hit “Ashewo,” according to a statement, showcases Rapsodi’s evolution from a writer to a musical force in Nigeria’s vibrant music scene. Each track serves as a chapter in his artistic journey, with production credits shared between Stency Beatz, Nuel Genie and PimpzBeat.
Opening with “Face,” Rapsodi directly addresses misconceptions about his viral breakthrough, transforming potential controversy into a celebration of women’s strength and beauty. The EP’s second track, “Gbemi,” draws unexpected inspiration from the chaos surrounding Davido and Chioma’s wedding, weaving a narrative about perseverance through life’s tumultuous moments.
The artiste’s authenticity shines through in tracks like “Casanova,” where he explores the complexities of maintaining self-identity in relationships, and “Ede,” an Urhobo-titled reflection on life’s impossible expectations. “Bad Boys” emerged organically from a freestyle session, capturing the raw energy of street life and survival, while “Hennessy” offers a vulnerable glimpse into periods of personal introspection.
“These songs represent different chapters of my life,” shares Rapsodi, who has managed to transform his experiences growing up across Delta and Edo states into relatable musical narratives. “Each track is a piece of my story, but it’s also a mirror for listeners to see their own experiences.”
The EP demonstrates Rapsodi’s versatility as an artiste who can seamlessly blend melodic hooks with street-smart lyrics, establishing him as a voice for both urban youth and mainstream audiences.
“The Rhapsodies” is now available on all major streaming platforms, marking a significant milestone in King Rapsodi’s ascending career in the Afropop genre.
