This week’s music roundup brings a diverse selection of new releases, featuring veteran artistes like KCEE, Frank Edwards, and Sinach, alongside emerging talents like Halo Yagami. From infectious Afropop anthems to profound worship experiences and soulful R&B, there’s something for every music lover.
KCEE Drops “Allota Money” Featuring Wyclef Jean & Mr. Killa
Afropop icon KCEE makes a powerful return with “Allota Money,” a high-energy collaboration featuring Grammy-winning artiste Wyclef Jean and Caribbean soca star Mr. Killa. With over two decades in the industry, KCEE continues to evolve, fusing Afropop rhythms with Caribbean drums, logdrums, and pulsing synths to create a global club-ready sound.
The track is a declaration of abundance, with KCEE proclaiming, “I know this year I’m gonna make a lot of money.” Wyclef Jean adds his signature gritty reflections on the hard work behind wealth, while Mr. Killa brings carnival-ready fire. KCEE describes the song as “a prophecy… about chasing abundance, dancing through the struggle, and manifesting success.” “Allota Money” unites three corners of the world with a universal message of ambition, hustle, and joy, proving that legends only get better with time.
Frank Edwards’ “Radical for Jesus” Is Here
Multiple-award-winning gospel artist Frank Edwards is back with “Radical for Jesus,” a powerful call to spiritual devotion. Known for crafting music that moves hearts worldwide, Frank channels his unwavering faith into this high-energy praise anthem.
The song opens with bold declarations like “We will take over the city / We will take over the nations,” shifting the focus from personal devotion to a global mission. Lines such as “No be play play” emphasise the seriousness of faith, while “Put on your shoes, pick up your bible / Let’s go tell it from the mountain top” serve as a rallying cry for believers to live missionally. The unstoppable chorus, “Eh eh eh radical for Jesus,” embodies full devotion, rooted in biblical truth (John 12:32). As Frank shares, “Radical is a way of life. We sing it because we live it.”
Sinach Releases Profound New Worship Single “Yahweh”
With over 30 years in global ministry, Sinach continues to be one of the most impactful voices in modern worship. Her new single, “Yahweh,” magnifies the eternal, self-existing God, a divine name revered across generations and cultures.
“Yahweh” is a sacred moment, featuring a minimalist, atmospheric arrangement that highlights Sinach’s powerful voice and the depth of her lyrics. Opening lines like “Your name is Yahweh… lifted high… we worship You” are pure exaltation, positioning God as supreme. Sinach anchors the track with powerful biblical affirmations such as “Ever-Present One,” “Self-Existing One,” and “I AM THAT I AM,” each revealing God’s character, sovereignty, and eternal presence, offering peace in uncertain times. This song serves as a reminder that Yahweh remains constant through every valley and every victory.
Halo Yagami Drops ‘Ingubo Enamehlo’
South African artiste Halo Yagami, born in KwaMashu and making waves in Johannesburg, is redefining soul music with his fifth project, Ingubo Enamehlo (“The Blanket with Eyes”). Following his breakout EP Usiba, Halo returns with an R&B-infused love letter designed to envelop and understand listeners.
This self-produced, genre-bending album is a slow-burning masterpiece, with each song feeling like a confession wrapped in velvet. Halo blends the intimacy of R&B with Maskandi elements and electro-soul textures, creating moments that feel like soft embraces. “Ingubo Enamehlo” is a concept where the music acts like a blanket that watches and understands. Halo explains, “I wanted this project to feel like a hug that doesn’t let go. Not just sound, but soul.” The album’s tracklist includes “Ngiyala,” “Nginesifiso” feat. Phila Dlozi, “Mkhwenyana” feat. Ovuyonke, and “Engubeni” feat. Lia Butler, among others.
Olamzzy Drops Club-Banger “Sofa”
Lagos-born Afropop rising star Olamzzy brings the heat with his new club-banger, “Sofa.” Cultivating his musical edge through street parties and late-night studio sessions, Olamzzy is known for transforming everyday moments into groovy, feel-good jams. With “Sofa,” he makes intimacy the heartbeat of the dance floor.
“Sofa” is the ultimate flirty and steamy Afropop track. A mid-tempo beat grooves with suggestive Yoruba slang and playful seduction, encouraging listeners to move and sway with intention. Olamzzy weaves in personal touches by naming characters like “Angelina” and “Funmi,” and a hypnotic “Ibadi eh…” chant threads through the track. The song’s fade-out and return to the “sofa” metaphorically represents closeness and lingering desire. Olamzzy describes the record as “about late-night whispers and that gentle pull closer. It’s a moment when music, heart, and eyes talk.”
Bien Declares Victory on New Single “All My Enemies”
After two decades at the top with Sauti Sol, Bien continues to reinvent himself. Fresh off his successful April single “Safari,” Bien returns with “All My Enemies,” a spiritually charged Afro-Gospel-meets-Triumph-Afropop record that is both a prayer and a prophecy.
From the first beat, a fusion of percussive Afro-fusion drums, atmospheric synths, and gospel-tinged chants, “All My Enemies” pulses with energy and conviction. Bien declares, “All my enemies are suffering… their plans have scattered,” repeating these words like mantras that build into a battle cry. The song draws deeply from scripture, referencing Psalm 23:5 with the line “Prepare a table for me right before my enemies,” a nod to divine vindication. Bien enters visionary mode with affirmations of destiny, even addressing betrayal with poetic clarity and spiritual grit. The outro becomes a “sonic exorcism,” echoing “Suffering… scatter scatter…” as a final decree over obstacles.
BackRoad Gee Returns with Explosive New Single “Trouble”
UK rap heavyweight BackRoad Gee officially breaks his two-year silence with “Trouble,” his first solo release since 2023. This isn’t just a comeback; it’s a reckoning.
From the opening chant, “Trouble hit my man see double / Watch stumble darg he fumbled…,” the track delivers pure adrenaline. Built on pounding drums, hypnotic loops, and BackRoad Gee’s signature high-octane flow, “Trouble” is aggressive, unapologetic, and unmistakably BRG. The track captures the pressure, hunger, and grit of an artist who has been sharpening his edge in silence. Lines like “Too much custard make apple crumble” blend British-Nigerian flavor with street poetry, offering clever cultural warnings. BackRoad Gee leans into bravado with lines like “Kick down the door / Waving the 3 5 7 watch the way I discharge…,” painting himself as a force of nature ready to fight and dominate. Born in London with Congolese roots, BackRoad Gee effortlessly blends drill, grime, Afropop, and dancehall influences, reminding listeners why no one else sounds like him.
Nazor & Sukaa Craft a Modern Classic Love Song with “Chioma Chukwu”
Nigerian artiste Nazor, in collaboration with producer and artiste manager Sukaa, delivers “Chioma Chukwu,” a fresh yet nostalgic Afrobeat gem. The song captures the breathless ache of wanting someone you can’t quite have, blending modern production with the soulful storytelling of classic Afropop.
Inspired by the timeless Igbo soundtrack “Dim Oma,” Nazor sets a tone of poetic surrender from the opening line, “This my baby the sauce / Sign all of me no clause….” When he sings, “All of a sudden no breathing / My baby na the cause,” it’s a metaphor for being captivated by beauty. The chorus is pure earworm magic, catchy and dramatic, leaning into the classic Nigerian love-song formula: a beautiful muse, a lovestruck singer, and an irresistible groove. Sukaa’s production balances traditional percussion with genre-fluid experimentation, giving the track a timeless-yet-modern sound. “Chioma Chukwu” is Afrobeats at its most expressive, whether you’re in love, reminiscing, or just in the mood for a jam that sticks.
Ada Ehi and Sunmisola Bring Hope with New Single “Maberumo”
Nigeria’s queen of inspirational gospel, Ada Ehi, teams up with Sunmisola to deliver “Maberumo,” a lush, bilingual reminder that joy always follows pain. With over a decade of turning trials into testimony, Ada Ehi’s music carries a signature blend of vulnerability and victory.
The song unfolds like sunrise, opening with tender Yoruba verses, “Omo okan mi / Omo sunmo mi…,” resembling a divine lullaby. The duo’s harmonies cradle Psalm 30:5 (“Weeping may endure for the night…”), while the production swells from piano-led intimacy to a crescendo of strings and percussion. Lines like “Can the Creator of time be late?” strike with theological precision, dismantling doubt. Ada shares, “Morning isn’t just a time; it’s God’s promise. ‘Maberumo’ is for anyone waiting on their breakthrough. Hold on, it’s coming.” With its seamless English-Yoruba flow, the track is a cultural embrace, proving hope needs no translation.
TillDayBreak Unleashes “LITT” EP: A Raw Look at Modern Nigerian Life Through “Rapfobeats”
For Lagos-born artiste TillDayBreak, music is a calling. Growing up immersed in church melodies and the rhythm of the streets, he developed “Rapfobeats,” a genre all his own. Influenced by artists like ShowDemCamp, J. Cole, and MI, TillDayBreak crafts music that speaks to both the ear and the soul. His new 2-pack EP, “Litt,” showcases his ability to evoke deep emotions.
“Shege” (ft. Adam Srae & Layo Isaac) is a haunting narrative that exposes performative love in marriages curated for social media. TillDayBreak pulls back the curtain on domestic trauma, generational pain, and societal pressure, offering empathy without judgment. In “CashApp,” he dives into Nigeria’s digital hustle culture, where dreams are often lost to fast money and peer pressure. Confessional lines like “I say I’m different, but I know I’m not / Na thief I dey thief and someone is getting hurt” reveal the guilt beneath the glamour. Together, “Shege” and “CashApp” form a powerful duo that highlights TillDayBreak’s gift for telling stories that entertain and resonate deeply.
Cralorboi CIC Celebrates 10 Years with New Album “Local Champion”
Award-winning Liberian singer, actor, and businessman Cralorboi CIC commemorates a decade of artistic excellence with his long-awaited album, Local Champion. Widely regarded as one of Liberia’s most influential musical exports, CIC has consistently broken barriers for his country’s sound, earning over 15 awards.
Across 14 tracks, Local Champion reflects the full spectrum of CIC’s journey. The project opens with an emotional voice note from his parents and siblings, followed by “DON’T GIVE UP ON ME,” a message of hope. Romantic standout “HEAVEN” captures the warmth of true love, while “FINE” offers an affirming message to plus-size women. Songs like “CONGRATULATIONS” and “HAPPY” (featuring Stunn) burst with celebratory energy. Tracks such as “PLEARJAY” and “AYY MEHN” spotlight social themes and street energy, while “FVCK WITH IT,” “THICK” (ft. Lyrical Joe), and “DAHTOR” (ft. Dremo) explore Afro-drill and cross-border vibes. CIC paints a complete picture of what it means to be a “local champion,” grounded in home but reaching beyond borders. “This album is my story, my heart, my truth,” CIC shares. “I made this for Liberia, for Africa, and for everyone who’s ever felt like they had to prove themselves without losing where they come from.”
The GoodWine’s “KAYA” is Here: A Love That Never Dies
The GoodWine, a Nigerian duo based in London, are redefining Afro-fusion with music born from shared experiences, love, and spiritual reflection. Their harmonies weave their bond, questions, and quiet revelations into something sacred. Following their acclaimed ACTS (Deluxe) in 2024, their new EP KAYA explores “home” as an encompassing theme of life, love, and God.
KAYA draws meaning from the Zulu word “home” and the Igbo word “Tell It,” and through this project, they tell stories of home in all its forms: love, relationships, heartbreak, the second coming of Christ, and thanksgiving. KAYA is a six-track journey that flows effortlessly between language and emotion. From the title track’s poetic Igbo lyric, “Ụlọm di na eligwe mara mma, ọnwụ adịghị ya” (My home in heaven is beautiful, and there’s no death there), to the tender reassurance of “Ezinna,” the EP features soft melodies and probing questions.
Kenke’s “I’m Sorry” is a Heartfelt Ballad of Lingering Love
Emerging Afro-soul artist Kenke fearlessly lays bare the pain of a breakup that never truly healed in her new single, “I’m Sorry.” The track delves into the lingering regret when pride overshadows the heart’s true desires, opening with the poignant line, “Like I meant nothing else to you…”
Kenke’s raw vulnerability shines through as she wrestles with memory, miscommunication, and the haunting silence that follows a love lost. Lines like “They told me life goes on / You move on I move on…” expose the myth of easy recovery, highlighting the illusion that time and distance simply erase feelings. With a trembling voice and soul-bearing delivery, Kenke transforms “I’m Sorry” into a powerful reckoning with genuine heartbreak.
“Success” by Cameo Huzla: A Divine Afro-Rap Anthem
Cameo Huzla, the Nigerian Afro-rap prodigy, doesn’t just rap; he preaches hustle through the lens of faith in his breakthrough anthem, “Success.” Blending Igbo wisdom, gospel energy, and hip-hop cadence, the track is a powerful message that moves from the soul to the street.
Opening with “Ima ife’alu nwa / When blessing is coming…”, “Success” presents prosperity as a divine appointment and a calling, not just a result of grind. Cameo weaves a narrative of triumph earned through grace and grit, with every line heavy with purpose. The song’s thesis, “My chi tinye m aru uwa nato m” (“my god placed me here for a mission”), underscores that his pursuit isn’t fame, but prophecy fulfillment. The layered mix of Igbo proverbs, Afrobeats pulse, and rap bars makes this a street classic. As Cameo shares, “To me, success is sacred. It’s not about flex, it’s about alignment. Purpose. Legacy.”
POS and Dandizzy Deliver a Battle Cry for Survivors in “Soja”
Nigerian artist POS transforms personal pain into powerful resilience with his new single, “Soja” (Pidgin for “Soldier”), a track that embodies battlefield honesty and triumphant hope. Featuring Dandizzy, this isn’t just music; it’s armor. Written after the devastating loss of his mother in April 2024, POS channels grief into a warrior’s creed: “When I lose mama / Naso my body Dey discover different type of pain e no fit take.” The song serves as a lifeline for anyone fighting invisible wars.
“Soja” hits with the impact of a drill sergeant’s wake-up call. The hook, “Soldier soldier / Boy affi know say mi a soldier soldier…”, is a survival mantra repeated over ominous basslines and haunting piano loops. POS expertly merges street poetry with spiritual warfare, referencing the “valley of the shadow” (Psalm 23) while addressing betrayal. Dandizzy’s verse amplifies the tension, contrasting struggle with unshakable resolve. This is music for the bruised but unbroken, where every scar becomes a medal. POS describes the song as being “from my soul… for everyone carrying silent battles, for those who keep going even when the world says stop.”
The Heart of “Arike” Beats Stronger: Kunmie, Simi & Mabel Explore Love’s Depths
Kunmie’s soulful debut single “Arike” captivated hearts on Valentine’s Day, and now, he’s elevated its beauty with an official remix featuring powerhouse vocals from Simi and UK R&B sensation Mabel. This isn’t just a remix; it’s a profound conversation about love, commitment, and vulnerability.
Simi opens the track with her signature grace, her voice both warm and firm as she sings, “Fine boy say it again, make I record am… If you no stable baby, baby o ma lewu…” She balances softness with strength, setting the tone for what she deserves in love. Mabel then delivers her elegance, lending emotional weight and caution to the track with lines like “Fine boy I can hear you calling out for me / Way you say my name, a symphony…” Her calm tone and smooth rhythm blend London cool with Lagos soul. Kunmie holds the center with his pleading tone, but in this remix, the emotional stakes are higher. “Arike (Remix)” reminds us that love is beautiful only when both sides are ready to show up, highlighting connection, caution, and the quiet fear of losing something real. With Simi and Mabel by his side, “Arike” has never sounded more complete, proving Kunmie tells stories that truly matter.
OG Mage Commands Attention with “Cast & Bind”: A Street Prayer for Hustlers
OG Mage drops a sonic bomb with “Cast & Bind,” a track that transforms street prayer into a powerful weapon. This battle cry is tailor-made for every hustler chasing dreams.
The hook, “I go cast and bind / Any man no fit come to tell me how to live my life…”, is a fierce declaration. Mage makes it clear he’s not entertaining distractions, fake love, or negative energy. “Cast & Bind” serves as his spiritual shield and sword, a sonic battleground where faith conquers. OG Mage’s sharp, poetic lyrics are deeply rooted in survival: “Action and praying, I just dey blend am all together / Come rain, come shine, I’m surviving any weather…” He seamlessly blends Pentecostal prayer tongues like “Shandaraba” and “Rabababa” with Lagos street slang, making spirituality feel both sacred and streetwise. His message is clear: “If I no make am before evening, I try another day / If dem try to gatekeep me, then I find another way…” Backed by hard-hitting drums, minor-key melodies, and trap-infused Afrobeats rhythms, “Cast & Bind” is a powerful anthem of defiance and perseverance.
All the music is available to stream wherever you listen to your songs and all the artistes are on social media, where they make regular updates.
