Zaiam has released his debut seven-track EP “One In Town,” blending pop, R&B, and Afro-Caribbean influences into a confident statement...
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Nigeria’s leading commercial bank, First Bank of Nigeria, has joined forces with Mighty Media Plus Network Limited for the maiden...
Abuja’s literary community is in for a treat as celebrated Nigerian author and two-time Booker Prize finalist, Chigozie Obioma, headlines...
Drake’s much-anticipated closing set at London’s Wireless Festival ended abruptly after just 40 minutes on Sunday night, frustrating thousands of...
The Next Narrative Africa Fund (NNAF) has announced its first open call for submissions, inviting African and African diasporan filmmakers...
Agatchu, fast-rising French Angolan artiste, songwriter and producer, has unveiled his highly anticipated sophomore EP, Vibe, on July 11 via...
Kocee, known for his rapid-fire delivery and insightful storytelling, has released his latest single, “Oulala.” The track showcases the Cameroonian...
Fiokee, Afropop’s celebrated guitarist and producer, is making waves with his captivating new solo single, “Pressure”. With over a decade...
After a three-year wait, Tunde Kelani’s highly anticipated film, “Cordelia,” is set to premiere in cinemas nationwide on July 18,...
“When Winston was born, lots of fairies swooped down on his cradle with gifts – imagination, eloquence, industry, ability –...
Baddo’s Song’ with the South African musical duo Jazzworx and Thukuthela, a supposed homage to rapper-singer Olamide, does a disservice to his towering reputation in the Nigerian music scene. Why collaborate with artists not attuned to Nigerian street-pop or Olamide's musical brilliance and influences on a tribute song?
Because of this, our environment becomes vital to our progress. As a fifteen-year-old, I knew this intuitively, not as I know it now, not theoretically. I knew that my environment was limited in significant ways. It wasn't one for creativity or imagination. It lay at the tail end of cynicism
