A seminal exhibition in the historic South Street Seaport is boldly reshaping the landscape of contemporary art. “The Golden Thread 2,” presented by BravinLee Programs, has gathered the dynamic work of 60 artists who are pushing the boundaries of fiber art into exciting new territories. Housed in an 18th-century mercantile building, the show, running until May 16th, offers a vibrant and expansive look at the innovative techniques and compelling themes driving this increasingly recognised art form.
Building on the success of a smaller initial showing last year, curators Karin Bravin and John Lee have amplified their vision, creating a month-long immersion into a world where thread, yarn, and textiles become powerful tools for expression. Visitors can expect a diverse array of creations, from whimsical pipe cleaner sculptures to intricately stitched denim narratives and ethereal tulle installations. The exhibition spotlights established and emerging talents alike, including artists such as Julia Bland, Lucia Engstrom, Mark Fleuridor, and Sammy Bennet, demonstrating the sheer versatility of the medium.
“The Golden Thread 2” showcases a remarkable range of techniques – weaving, crochet, embroidery, macramé, and more – as well as delves into profound concepts. Many artists explore themes of community and resilience, echoing the inherent interconnectedness found in the very fibers they manipulate. Others, like Ali Dipp with her stitched Salvation Army jeans, imbue their work with personal history and social commentary. Ana Maria Hernando’s delicate use of tulle and velvet evokes the fluidity of water, while Ellie Murphy’s site-specific macramé sun transforms the exhibition space itself.
Historically marginalised as “craft” and relegated to domestic spheres, fiber art is experiencing a significant resurgence. Institutions like New York’s own Museum of Modern Art have recently mounted exhibitions dedicated to the genre, and the art market is taking notice. Elissa Auther, chief curator at the Museum of Arts and Design, lauded the exhibition, stating, “I never thought I’d see an exhibition like this in my lifetime… Textile art certainly isn’t a recent trend in my world, though it’s definitely gotten more visible, and many more artists are now using the material for the first time.”
This is an unmissable opportunity to witness the cutting edge of creativity and experience the profound beauty and intellectual depth woven into every thread.
- Featured image: Ana Maria Hernando, “El intento del agua/The Intent of Water,” 2025/mymodernmet.com
