Tiaz Odia has dropped his latest single, “This Must Be Love,” a soul-stirring Afro-fusion anthem…
Month: March 2025
The Creative Africa Nexus (CANEX), an initiative by the African Export-Import Bank (Afreximbank), has announced…
Lagos is gearing up for a cinematic spectacle as Iyabo Ojo’s “Labake Olododo: The Warrior…
Glastonbury Festival has unveiled its full Acoustic Stage lineup for 2025, adding 29 new acts…
The iRepresent International Documentary Film Festival (iREP) returns with a powerful start on Thursday, March…
Alex Pausides’ poem was poignant and evocative – “When I am silent, it is not that words are lacking” while Edelmis Anocento confeɔronted change and viccissitudes with “I build my house with autumn leaves/From last year’s death gasp.”
“Of Gods and Their Claytoys” unfolds predominantly in Lagos, Ogun and Enugu and brims with remarkable characters. There’s Chiamaka, a fierce feminist who eats like a newly freed convict, drinks like a sailor, and loves with the hunger of a nymphomaniac. Mama, the only mother he has ever known, provides a grounding presence. Then there’s Gbotie, the closest thing RB has to a father figure
Chioma and Obiora are instantly enamoured of each but after a few dates, her feelings for him start to thaw — not because she’s still in love with her ex-boyfriend, Chris, or because she discovers something distasteful about Obiora’s past, but for a very silly and flimsy reason: Obiora’s Igbo accent.
FilmOne Entertainment and Filmhouse Cinemas brought a touch of Disney magic to Lagos last night…
Michael Afenfia has unveiled his seventh book, Head of the Baptist, a captivating collection of…
A transformative theatrical experience is set to blaze onto the scene as “Firestarter: The Musical”…
This May, Tokyo’s art scene will witness a powerful exploration of gender, autonomy and resistance…